Category: Watercolor

Back Road Near Sisters, OR

The other day I was browsing through a bunch of snapshots I took when I was up in Oregon for a week visiting a friend. We spent time on the coast and inland. This painting is from a picture I took as we were driving back to her house near Sisters, Oregon.

As you can see, in the distance are a number of snow-covered mountains. The are called the Three Sisters. I have a photograph I took from the car of this scene, and of the mountains. In the photo, the mountains blend into the blue of the sky, but when enlarged, you can easily see them. I kept the proportions of the photo but made the Three Sisters more visible. The photo is below, and clicking on it will take you to Flickr. Clicking on the Flickr picture until it is maxed out will make the distant mountains visible.

Outside Sisters, OR

It’s interesting how the atmosphere just blends the mountains into the sky. On the drive, they were visible, but very faint.

I did not strive for accuracy in representing the Three Sisters. I just wanted to make sure they were there. I also changed the landscape to my liking in my painting, and does it work? Hmm. My focal point is a bit vague to me, but the red buildings below the treeline are hopefully getting you where you need to be.

Watercolor, BaoHong 100% cotton CP paper, 9×12.

Deep in the Canyon

Utah is home to many amazing national parks. These include Zion, Bryce, Canyonlands, Arches, and Capitol Reef. All of these are located in southern Utah and feature many different geological formation. In addition to the deep red canyons, there are ginormous hoodoos and sandstone arches. Rivers and streams run through the canyons, sometimes dry, sometimes filled with raging torrents, other times calm and serene. Flash floods are something to beware as they can come out of nowhere – storms elsewhere can cause floods miles away.

Here, an imaginary canyon in the autumn, complete with red sandstone and cottonwoods and evergreens. Colors are strongly contrasted when the sun slants into the canyon, bright and dark.

Getting the colors and the contrast “just so” is really challenging. I am playing around here with applying thin washes to tint large areas of the paper and then moving to more highly pigmented paint for deeper and brighter colors. I don’t normally paint like this, and it really makes me think a bit. More practice with this technique is necessary to find that fine balance.

Anyway, Arches 10×14 rough 140# paper; watercolor.

Desert Spring

I have been painting too much in oils – slow process, very satisfying, but it doesn’t come close to watercolors. I needed to take a break from it and return to my first love . . .

We have had a few good rains this year, and that can mean the desert blooms! The plain beige becomes green and flowers blossom. Sparse, harsh landscapes become far more gentle and welcoming. Death Valley was filled with life this year.

Watercolors, 10×14 Arches 140# rough paper.

Waiting for the Tide: A Boat Study

For most people, like me, who like to paint or draw but have little formal training, shapes can be challenging. I’ve taken art classes when I was in college, but the fact is, most American colleges fail terribly at providing practical knowledge to their art students. Too often the dictum is essentially “Go forth and create!” without any foundational information. In my adult school art classes, there is far more information to be had, and when I see fellow classmates from Asia and Europe with superb technical skills, I feel overwhelmed. How the heck do I get that?? But, on the other hand, they like my messy art and wonder how the heck to get that!

So, we are stuck. All of us. We all face challenges in how to do or express things with whatever medium we use. For me, shapes are most often the biggest challenge, and maybe that is because I prefer landscapes to people or buildings. I am working on meeting these challenges, and YouTube provides a lot of help in all areas confusing. My current challenge is to paint boats. I don’t have an easy way to get their correct shape.

So, enter YouTube and three methods to get a boat shape: figure 8, blocks, and a petal shape with lines and crosshairs. All work. The simplest is the figure 8 method, and that is what I applied here. I used a reference photo and then superimposed the figure 8 method to the boat. It took a bit, but below is the boat – a simple sailboat anchored at low tide.

I drew several figure 8 boats with pencil and paper, but painting one proved a bit of a challenge. It took awhile to get my mind wrapped around the image and then the figure 8. Going from figure 8 to boat with pencil and paper was easy, but looking at a real boat required more work. Still, not really displeased with the end result of the boat – she’ll float – and that is the point of this painting: a boat that looks real(ish)! As far as the rest of the painting? It’s just there for filler.

Watercolor, Bockingford 140# CP, 9×12.