Kitty Underpinnings

The inky black cats have evolved. I decided I needed to invest in a bit of education about the build of cats and their proportions. I found some good resources to learn from, such as ones on YouTube, but since video does not play well outdoors in the sun, I opted for a book. I downloaded one for Kindle called Drawing Cats: A Step-by-Step Guide for Artists by Aimee Willshire. It had what I needed – a basic skeleton and a bit of a formula in proportions to make a drawing that can pass as a cat if I am lucky. As with portraits or people, or anything, there are essential dimensions upon which you can place individual features. I found it helpful and simple, which is really what I wanted.

So, sitting in the sun, I looked at the Kindle book and used pencil and ballpoint pen. Here are the results.

There is more in Willshire’s book, such as facial proportions, as well as specific exercises and suggestions. For basics, I am pleased enough to continue with more kitties, time permitting.

Afternoon Sketches

Late afternoon I met up with a friend at a nexus for a series of hiking trails to do some afternoon plein aire sketching. She brought a paper and pencil, I brought ink and watercolor. We walked about 30 yards down a flat trail and settled in what could appear to be an isolated area as the trail curved into an oak woodland at the lower edge of a hill. The later afternoon sun gave lovely shadows, areas of light and dark, and the oak trees were especially beautiful in that light.

This is my “warm up” sketch. I always like to play around with what I am working with to see how ink and watercolor and paper all interact. Most importantly is how the watercolor and paper work together. This sketchbook is designed for watercolor sketching, and it worked well. Here I started out with the ink and then worked with the paint. After all was dry, I went back in for some touch-up with the pen.

For this one, I painted the tree shapes with light washes. Then came the leaves. After that, some ink, back to paint, then finally ink.

The second painting is my “serious” one whereas the “play” painting was testing my tools. We spent two hours sitting in the woods, yakking and drawing, taking a few photos, chatting with passersby on bike and foot. At 5 pm the sun was going down, so pack it in, hike that long distance out, and say our good-byes.

Ink, watercolor, 5×7 on watercolor paper.

Lucious Loquats

I love loquats! They are an odd fruit to most Americans, but they have a mild taste, beautiful seeds, and are borne on bushes or trees with glossy leaves. Over time, I have taken many photos of them and painted or drawn them.

I don’t remember where or when I took this photo, but it really shows the loquat in its full beauty. The fruits are pale yellow to a more deeper orangish color.

This is my most recent rendition of loquats, done in oil on a 12×12 canvas panel.

Above is one done in pen, ink, and watercolors.

And the above is done in gouache.

The round shapes against pointy, glossy leaves is always a pleasure for the eye.

Gouache, oils, watercolor, pen and ink on various surfaces.

The Happiness of Trees

Trees always make me happy, and it makes me sad if I have to remove them for any reason. In particular, I like oak trees, and where I live, it is against the law to cut any oak tree down without permission. California is dotted with beautiful oak trees across the hills; from a distance, I always think that this is what a herd of buffaloes must have looked like in the 1800s as they grazed across the prairies. (Technically, the American buffalo is a bison.)

Mid-morning I headed out to a local park next to the botanical garden. The park is on a gentle slope upon which are several grand oaks. Many are supported by metal tubing as their branches can sprawl far from the trunk, often breaking and falling from the stress.

My goal this morning was to simply get out and sketch plein air. Rummaging through my stash of sketchbooks and paper, I found a 6×12 spiral-bound Pentalic watercolor journal, unused. Perfect for landscapes! And for the broad sprawl of the oak tree.

I think I did a decent job here!

Pen, waterproof ink, 6×12.