Blitherings – Page 85 – Ink, Yarn & Beer

We Had a Girl! (Monarch Butterfly That Is)

We have milkweed planted throughout the yard as well as in containers. The other day – just about 3 days ago – I found a new chrysalis hanging from a flower pot. I watched it change from pale green to darker shades.

This morning, I went out to look at the chrysalis, but as I had hidden it behind some other plants, to keep it moist in the hot, dry wind, I didn’t really get a good view of it.

Then the gardener came – and blew everything everywhere. When he left, I looked, and the chrysalis was empty. I hoped the butterfly had not been blown out of its home before it could become a butterfly . . . actually, I was really upset! I was sure I had been stupid not to tell the garden to stay away from that area. I was convinced the butterfly-in-waiting was dead.

And then I bent down, and before I knew it, a monarch butterfly fluttered to the ground. It was her – definitely a her as there are no scent markings on her wings!

In time, I got her to climb onto a milkweed branch and carried her to a bigger plant. She sat there for a few hours. I took this video and some pictures. A bit after doing something in the house, I went back out. She was still on the bush – but then she flew off, over the fence and into the sky.

As the World Turns . . .

In today’s world, change and upheaval seem to be the norm. Stability is something we want but eludes us. I think this interview with Bertrand Russell, done in 1952, says a great deal.

And from thoughtco.com, some quotes on history:

Voltaire
“History is only the register of crimes and misfortunes.”

Napoleon Bonaparte
“What is history but a fable agreed upon?”

Karl Marx
“History repeats itself, first as tragedy, second as farce.”

Winston Churchill
“History is written by the victors.”

Thomas Jefferson
“I like the dreams of the future better than the history of the past.”

John Maynard Keynes
“Ideas shape the course of history.”

William Shakespeare
“There is a history in all men’s lives.”

Mark Twain
“The very ink with which history is written is merely fluid prejudice.”

Henry David Thoreau
“It is remarkable how closely the history of the apple tree is connected with that of man.”

Alexander Smith
“I go into my library and all history unrolls before me.”

Robert Heinlein
“A generation which ignores history has no past and no future.”

Marshall McLuhan
“Only the vanquished remember history.”

Mohandas Gandhi
“A small body of determined spirits fired by an unquenchable faith in their mission can alter the course of history.”

Stephen Covey
“Live out of your imagination, not your history.”

Martin Luther King, Jr.
“We are not makers of history. We are made by history.”

Dwight D. Eisenhower
“Things have never been more like the way they are today in history.”

On to “Brushwork”!

A few months ago I joined Ian Roberts’ online class “Mastering Composition.” First several weeks were simply drawing exercises, learning about values and shapes to create a 3D effect on the flat surface of paper. Two weeks ago we began the “Brushwork” component. I decided to use oils for this section simply because I have not painted with oils since high school – back in the last century.

What I like about Roberts’ class is he makes sense. He discusses things on very pragmatic terms as well as on a bit of a more esoteric plane. Both are satisfying. Exercises are clear and with stated purpose. The key components thus far are values and edges. He says, “If you can’t see it, you can’t paint it.” And that is true. If you don’t look and observe and get picky, well, it’s just not there.

Week One

Simple value studies of a landscape. I did 4, in 4 different mediums in order to decide which I wanted to default to – I chose oils (see above).

I won’t say any of them are great, but by posting them, fellow students give feedback. It’s useful as others see what you do not. As well, it is also useful to give feedback as it sharpens your eyes.

Week Two

Now, onto still life, demonstrated by Roberts and then practiced by students. This was followed by a landscape. The still life focused on edges and values – and so does the landscape. The landscape is ours alone to do – no demo! I tried to make my landscape simple masses. Parts work, parts are illogical, and taking a photograph of both was a pain as they are both still wet. Oh, well.

This was a fun study, and it was a challenge to really take the time to look, and to see, edges, shadows, shapes, etc. Overall, I am pleased with it. My sphere is a bit on the floating side, but I can fix that later. As well, it is fairly bright but monitors make it look darker or lighter, depending on which one I am using.

This one is a challenge. It is wet and hell to photograph! One thing I have learned is that I will need to come back with a fine brush after it has dried to clean up some of the whites on the guardrails and perhaps elsewhere.

Thoughts

By far, this is the best online course I have ever taken! If you want to paint and learn a few things, you might check out Ian Roberts. He is on YouTube, so how he is there is how he is in the Zoom class meetings.

Stay tuned for Week Three and Week Four!

Butterfly in Waiting

The Very Hungry Caterpillar by Eric Carle is one of my all time favorites. Story is good, but for me, the illustrations make it!

We have a wild and wonderful gardener in our family, Am, who got several of us started on milkweed plants. As a kid, we had them in the midwest, but they were very different than the ones which are the dietary staple of the monarch butterfly. She hands out plants to whoever wants them!

This seems to be my butterfly nursery. This is only one of many fat caterpillars – hopefully they are forming cocoons and not getting snatched up by the local wildlife. Sad if they are, but hopefully not, but such is the cycle of life.

30 Days in 30 Days

Awhile back, I started a 30-Day drawing challenge. The goal: Create 30 small drawings, value studies, to see shape, value, and ultimately a focal point for a painting. The last means thinking about how you want to lead the viewer into the picture and keep him there – it’s a compositional element I am still learning to implement. I have benefited in the arena of shape and value, so now the focal point is becoming another element to work on.

But, I blither. Here are the 30 pictures.