graphite – Ink, Yarn & Beer

A Baby Cup and a Lily

Today has been one of those days when daily chores fill up life: laundry, housework, and so on. While there is still time to do some creative things, I need to get out of the house before I scream! Playing domestic goddess gets really old really fast, and the best cure for that is a bit of a change of scenery. Even though it is grey and gloomy outside, it is still better than 4 walls and one more load in the dryer.

I have a baby cup – a sippy cup – on my desk, filled with water which I use to dilute my iron gall ink as needed. It is a very important item of stationery intent. Certainly it warrants memorialization.

And then there are lilies. I have gobs of these orange lilies all over the place in pots. They get pretty rangy if they are in semi-sun conditions – like over 3′ tall. The yellow ones I have are shorter. Neither are fragrant like Asiatic lilies, which are a definite favorite, but they do endure and bloom over a long time period. Still, they are a lovely flower, bright and cheerful, and rather fascinating to look at – they are just so orange or so yellow it is hard to believe. In pencil, they are certainly more subdued.

The sippy cup had some subtle shadings which were a challenge. What I was especially intrigued by was how much I learned about the lilies when I started to draw them – the petal shapes, number of stamens and pistils, and colors of the same. Observation is rather surprising at times.

Sycamore

Yesterday was a meeting of the Pencil Portraits in the Park group, but drawing people held little appeal for me. So, I decided to try something I had briefly seen somewhere and thought interesting: during their travels in the 19th century, many people sketched in pencil (graphite) and then colored the drawings with watercolor. These days most people sketch with waterproof ink and then color things in, but I rather liked this idea. A sycamore tree in our park, dressed out in autumn finery made a nice portrait, methinks.

9×12, hot press 140# Arches. Graphite and watercolor.

30 Days in 30 Days

Awhile back, I started a 30-Day drawing challenge. The goal: Create 30 small drawings, value studies, to see shape, value, and ultimately a focal point for a painting. The last means thinking about how you want to lead the viewer into the picture and keep him there – it’s a compositional element I am still learning to implement. I have benefited in the arena of shape and value, so now the focal point is becoming another element to work on.

But, I blither. Here are the 30 pictures.

Today is the last of the Zoom meetings until the next class begins. I have already enrolled in it, so expect to see a few things as time goes by.

You can see more of my artwork, if you are interested, at Journey By Paper.

21-24 / 30

I am getting burnt out on these drawings! I decided to take a few days off and will pick up again tomorrow. Since I have committed to 30, I only 6 more to go by 4/17. I think I can handle that!

Cannon Beach, Oregon. Figure is too big, some foot prints too dark and too big in the distance.

Initially I had drawn this shack so that the beach and waves in the distance were parallel to the edge of the paper. After scanning it, I realized it looked better with a bit of an angle to it. Interestingly, a comment said it made no sense because the ocean is out there, straight ahead. Obviously, too realistic of a person, or someone who hasn’t taken a photo. Really, to me, a very interesting and odd comment and viewpoint!

Here is a scene of looking down onto a beach. The distant cliffs look okay, but the descent to the shore in the midground is definitely confusing.

During last Saturday’s zoom meeting, Ian talked about cross hatching. I use it a lot in ink drawing, but not in pencil since the idea for a lot of this 30-day challenge is to limit marks to horizontal and vertical. The idea is to create value studies, not finished drawings. Interesting lines do not make for good value studies of light, medium, dark. However, a simple use of lines, cross hatching, vertical, diagonal, horizontal, helps delineate shapes, such as curves. I based this drawing off a study of 3 pears by Cezanne.

Commentary

These studies are making more sense and getting easier to execute so that shapes have shape, even if not always understandable.

17-20 / 30

Somewhere, a corner turned. It is becoming easier to simplify a picture, throw out unnecessary things and perhaps adding something else to make it more interesting or work more than a photo can.

I’ve been wanting to draw a cloudburst and finally did. After looking at lot of pictures, I realized that the drama comes from the soft rain blurring what is behind it. However, there is also contrast – light and dark. To achieve this, I drew everything in with graphite and then used a grey rubber eraser to create the streaks, lifting the graphite. From there, I smudged it in. Values remain but the messy nature of graphite sometimes defeats itself for value studies!

I am pretty pleased with this study. There are nice, subtle areas in a photo that was basically very high contrast in the tree and vegetation in the foreground. The ocean is in the middle right and extending into a misty sky.

I took a picture of a tulip years ago – pale pink and backlit. The blurry quality of my drawing is just a value study, not a drawing to show what a tulip looks like. This idea is really challenging at times because I have done portraits in pencil and details abound then! It is important to remember this is to be a simple reference, not a finished work of art.

As I progress in this 30 day challenge, I find I am running out of subject matter! So, it is time to work with other things. The flower was one. This one is perspective.

I actually got out a ruler and for the sketch created a grid, and then worked hard to put things in both perspective and in proportion to each other. As well, I wanted to create a nocturne.

Commentary

So, the days are rolling by, little shifts are occurring, and as my confidence in value studies grows, so is, it seems, my patience for doing preliminary work before trying to execute a painting. Not easy for me at all!d