Tag: summer

A Bit of Summer

My sister lives in Colorado where they are expecting some nasty, cold, snowy, icky weather. Nice to visit, but I don’t like living in it! As a result, a bit of summer, or certainly a bit of desert heat. As there is rather lush vegetation out in this neck of the woods, or desert, I think it must be early summer. And where I am in California, our 63F day has not been exactly summery. I need some heat – just like a lizard – to bask in. We’ll get it this weekend.

The more I look at the desert, the more I like it. The colors are a challenge as are the rock formations and plants. The light can be harsh and bright compared to the coast. The dirt varies from pale ochre to deep reds and oranges, with everything in between. Even the sky has its intensity and harshness, from sunny and bright to dark and foreboding with the threat of cloudbursts and thunderstorms.

I took my gouache paints with me to my painting class. I’ve missed a number of sessions just because my back was not happy and lifting or carrying became a challenge for several days. My oil paints are heavy to lug around, but gouache takes up a lot less room and weighs a lot less, too. Paper is less cumbersome than canvas, and what I used to paint on weighs very little as well. I made it to class with a shopping bag and my purse for all I needed.

Gouache always makes me happy – the colors are so ridiculously gouache-y! They have a vibrancy which nothing else equals, and so they are fun to use. Some people dislike their in-your-face quality. Add to that, the artists gouache is water soluble and clean up is a breeze. A few soft brushes, some water, smooth paper (I prefer Arches hot press 140# all-cotton paper, FYI), and a fairly extensive color selection. Zinc white is used for mixing, but titanium white is useful where you need a bright white or a bit more opacity. Ivory black is also part of the color selection. Altogether, gouache has a lot of qualities that other media have while have a unique quality all their own. Fast drying, opaque, dilutable, etc., etc., etc.

Try them, you might like them.

Gouache, Arches 140# cotton hot press watercolor paper, 9×12.

Two Trees in a Field

Once more, it is hot and sticky, but not as miserable as yesterday. Today, I am a bit more energetic but still not running around in the 90F and then some heat. And I am in a far better mood, too! No flies. No mosquitos. And a replacement package for the stolen one arrived today. Now, September is here, and though summer is not yet over, Labor Day (American holiday always on the first Monday of the month) is, for many of us, the official end of summer.

The end of summer means the fields are mown, crops and hay gathered in. Tracks and stubble leave lines behind in the shorn meadow. Heat, light, late afternoon.

That is all that this painting about. I did it after the one I posted the other day and, as with the other “Two Trees”, I am happy with the results here. I like the long shadows in the lower right, but if they are realistic or not is not the point – they just make for a bit more of an interesting picture!

In landscapes, you are the goddess of your painting!

Watercolors, Arches rough 140# paper, 10×14.

2 Trees

With little to do other than post about flies (see yesterday) and gripe about the heat and a missing package, it is always best to move on to things which please you the most. For me, it is waterolors and landscapes. These are two things that usually give me a lot of delight and certainly act as a balm when I am feeling really pissy!

Okay. Heat doesn’t do me well, so I have the air conditioning on and the house has cooled down from 81 F to about 76 F. The latter is manageable. Lots of water and electrolytes, too. And then, watercolor and color and trees and skies and the feel of brush on paper. Even better, a painting I like, and a second one, which will posted after this one.

I am not really sure what to write about this painting. It is pretty simple. It is a simple scene of trees sits on the edge of a sandy bit of land and is backed by a few distant trees, grasses, and shrubs. The palette was simple enough. I worked to make my painting simple, too, and focused on shapes and contrast as well as recall of some lessons learnt from classes. I think it shows summer, too, and a bit of the sultriness I am feeling – humidity, heat, balmy. And very lazy.

Watercolors, Arches Rough 140#, 10×14.

Flies

I don’t like flies. I have a couple buzzing around. Mosquitos are worse. So, in my irritable mood, a few poems recognizing the fly, for whatever reason!

The Fly – by Ogden Nash
God in His wisdom made the fly
And then forgot to tell us why.

The Fly – by William Blake
Little fly,
Thy summer’s play
My thoughtless hand
Has brushed away.
Am not I
A fly like thee?
Or art not thou
A man like me?
For I dance
And drink and sing,
Till some blind hand
Shall brush my wing;
If thought is life
And strength and breath,
And the want
Of thought is death,
Than am I
A happy fly,
If I live,
Or if I die.

Summer Serenade – by Ogden Nash
When the thunder stalks the sky,
When tickle-footed walks the fly,
When shirt is wet and throat is dry,
Look, my darling, that’s July.

Though the grassy lawn be leather,
And prickly temper tugs the tether,
Shall we postpone our love for weather?
If we must melt, let’s melt together!

Summer is ending, but birds sing, bees buzz, flies annoy, the beach beckons, and life goes on!

A Bow to Loiseau

Not too long ago a painting done by Gustave Loiseau called Les Peupliers (The Poplars), ca 1898, caught my eye. I really liked the composition, colors, and overall atmosphere – a bright, sunny, breezy day in the countryside. I will leave it to find it based on my rendition of Loiseau’s lovely painting.

As with yesterday’s painting, this is done in gouache on Strathmore Vision paper. I painted in the underlying colors with an angle brush and then used a finely pointed round to do the remainder of the work.

Gouache is, to me, a rather strange paint, but one which I really enjoy using. The colors always strike me as a bit unreal, but not necessarily in a bad way. They always seem to end up rather cheery, even when I use them to create a rather monochrome or dull scene. It can be used really thin, as a wash, as well as thicker – it all depends on the amount of water you add to it. It is designed to be opaque, but its opacity depends on how much water you add. I think I am on a bit of a gouache streak as I have at least another painting to show you . . . .

Strathmore Vision 140# CP watercolor paper, gouache, 9×12.