Tag: portrait

A Man from the Mountains

In between life and knitting disasters and housecleaning and purge-atory (I got rid of a lot of junk last week), I have been painting a portrait in acrylic over the last few sessions of my figure painting class. I used one of the many wonderful portraits available from Pixabay.

Painting this portrait was a challenge. I did not want to do a photographic reproduction. My idea was something moody and a bit sketchy, more so as I think such a style is more easily done in acrylics (which I swore to work on!) than a realistic rendition of the person himself. I painted using more transparent paint and scumbled a lot of the paint onto the canvas. Some areas don’t even have paint on the surface, or very little. Layers and glazes were built up. The quick drying quality of acrylics makes this easy to do in a classroom.

My palette was pretty limited, too. I used carbon black, ultramarine blue, raw umber, cadmium red light, titanium white, and yellow ochre. First step was to sketch in the man, working on proportions and then mixing general areas of color, slowly moving into details. I stepped back and forth to look at my painting.

What really attracted me to this portrait was the lighting, the expressiveness and rather mysterious quality of the man – he could be from so many places. My first impressions is he is a man from a remote part of the world, a man who works hard and labors with his hands to provide for those he is responsible. I wanted to catch this quality – a rugged ability to endure.

I think I will hang this on my wall to enjoy. Yeah, pretty pleased! That is after I correct the mistake under the man’s mustache . . .

Heavy body acrylic paint, cotton canvas panel, 11×14.

Black + White = Grey

Yesterday was the beginning of new portrait class session with my favorite teacher. Having done 2 sessions with her, mostly with media within my comfort zone, I decided that I am going to conquer my general dislike for acrylic paints and portraits by painting them. So, armed with a black and white photo from Pixabay, I found an interesting man’s face as subject matter, zoomed into one eye, the nose, and the mouth.

For the surface, I am using Canson’s paper for acrylic and oil paints. It has a smooth, linen-like texture and responds well. The bit of tooth is pleasant under the brush. My colors are heavy-body acrylic paints from Golden and Liquitex and are simply ivory black and titanium white.

I consider this study to be a WIP – work in progress. The mouth is too small and needs to be re-worked. The guy’s nose looks like it was broken a few times in the photo and I have tried to capture its asymmetry. The paint under the eye of the skin is heavier and more opaque than a lot of the rest of the painting. It was applied first but then I realized that working in thinner washes of black and white might make for better shadow and light rendition. This is such a learning process! I am also using smaller brushes than I might otherwise – I want the details to be details, not big blobs of paint for this man’s face.

Overall, I am really pleased with how this is coming along. A couple of fellow students in my general painting class do such wonderful portraits and people that I decided to push myself. Acrylics will be my primary focus for awhile. I want to master them, learn how to work with them, and like them rather than cringe when faced with a tube of plastic paint.

Heavy-body acrylic paint by Liquitex and Golden, limited palette, Canson’s acrylic / oil painting paper, 9×12.

Profile of a Man

One of the painting classes I am taking is one on portraits. The teacher, Barbara, does beautiful work in oils. She is detailed, observant, laissez-faire, and is getting me into enjoying painting portraits of people. For me, I like people I don’t know. Personal portraits are too personal, and while I have done some decent pencil drawings, paint is another story altogether.

If you like free, public domain images of all sorts, check out Pixabay. It’s free and I use it over and over again. For portraits and figures, as well as anything else you might want including “adult” matter (i.e.nudes), you can find it. Many of my art teachers like my photos I use in painting class, and unless I have taken them, most come from this resource.

I am giving myself an exercise to paint portraits. How many, no idea. Different positions are certainly ones to study – profile, 3/4, frontal, looking up or down, etc. I also intend to do bodies, working on action and movement, but that is for another time. Today’s post is my painting of the model above.

What drew me to this portrait was its simplicity. Profiles are a good place to begin. The strong light and contrast in this portrait makes things not too subtle, which I think is a good place to begin for a portrait. Below is my painting.

My chosen medium is fluid acrylics, which are about the consistency of heavy cream. In the beginning, I laid in the background with thinned paint, and the same for the general features of the face. As I progressed, I increased the paint’s density by not thinning it, but as time progressed I varied its thickness depending on the opacity I wanted.

Besides rendering good values, I also wanted to focus on brushwork. I have said many times I tend to be a dabber, using a round pointed brush. I set that aside and worked in flats ranging in size from 1/4 inch to about an inch. One of these flats is also an angle brush. For tiny details I did use a fine round.

Altogether, this was painted over 3 days, using time to let the paint dry (or a hair dryer) and take time to step away from the painting. That way I could review what was done and think about changes. In the end, I am pleased with this painting quite a bit.

Fluid acrylic paint, Canson XL oil paint / acrylic paper, 9×12, finished size 8×11.

Something Different

I really prefer landscapes to nearly anything when it comes to artwork. Part of it is pure laziness – no one will point out the inaccuracy of my rendering! I can make it anything I want. Portraits, of someone you know or is famous, are inherently more challenging. With this challenge in mind, I decided to enroll in an 8-week portrait class led by my painting instructor. Yesterday was the second class.

For a number of years now I have sporadically met up with a small group of artists in a nearby park. Originally the group was for a portrait class, in person, sans masks, during the Covid days. Eventually it evolved / devolved, but now it is once more on track as a portrait class. No problem – I think i will happily return. The reason is simple – I am beginning to enjoy portraiture – at least in pencil.

We did a graduation party for Dakota, new high school graduate and soon to be university student. I decided the photo Auntie Am took was perfect for subject matter in yesterday’s class. Tan paper, hard and soft pencil, white Prismacolor pencil for highlights.

I listened to my Portraits-in-the-Park teacher, Steve, whispering in my ear as I drew, recalling words of advice and hints. Barbara, too, refreshed the “rules” of portraiture last week. And so, a portrait of Dakota emerged with the help of my two wonderful instructors.

My own observations tell me my noses are improving but need work, my ears still suck, and the rest is not too bad. All done in about a 45 minute session once the class instructions were completed.

Now, let’s be honest here. Pencil is easy to use. Barbara’s class is to soon move into value studies on canvas and a painted portrait may emerge in the next several weeks. That is going to be pure experiential hell. I have never painted a person in my life. At least I am somewhat comfortable with oils and other media. I am considering oil paint or pastels. Oil is slow drying and can be modified. Pastels are like drawing with a pencil. Watercolor requires a bit more skill than I have and in a classroom I don’t think I would be comfortable, but may decide to do at home where I can wade through paper if need be. Colored pencils may or may not be on the agenda.

Onward!!

First Painted Portrait

I have drawn people and done some half-witted attempts in paint, but this painting, for me, is my first more than half-witted portrait in paint. Source photo is from Pixabay.

9×12 canvas paper, Golden Fluid Acrylics. Limited palette of violet oxide, cobalt blue, yellow ochre, cad yellow, zinc and titanium white.