Morning at My Desk

Today there is a bit of running around to do, so this morning I was in a blithery mood. Things to do – like the usual morning stuff – but I also know I won’t feel too focused on any one thing, so sketching with ink and watercolor seemed to be the best of all choices. (After all, life is not all about dishes and making the bed!)

On my desk is a small hand weight and roll of painter’s tape. Warm-up. And now immortalized.

Next, the great outdoors. Mountains and trees. I would love to be walking around here, but sadly my ankle is keeping far more stationary that I want to be. I am getting better, but I have to just keep all to a minimum. I can go to the store and walk a bit, but I need my heel to get better more than anything.

So, the painting. Goal is to get a sense of distance with the gradations of the mountains as they recede into the distance. Accomplished!

Finally, a scene with some complexity. I figured my warm up and splashing of paint were ready to meet my next challenge which is to paint buildings, people, perspective. Landscapes are comfy but I really want to push myself a bit more, as I did the other day, with direct painting and more patience and planning.

The first two sketches were done in very short order, but here I pulled out my pencil, limned in lines and worked on perspective and size. I think my people are a bit too tall, and I put them in before I did the painting of the buildings and the road. The buildings, too, are a bit wonky, but they work fairly well. I painted everything and then, once okay with the picture itself, I decided some black lines here and there would be good to help pull the painting together. Not perfect, but pleased with the results as I did meet my challenge.

Pentalic Aqua Journal, about 7×10, watercolor, Uniball micro pen.

Memories of Spring, Thoughts of Summer

For me, lilies of the valley are spring flowers – late spring, for sure, but spring nonetheless. They are not native to California and certainly cannot survive the heat we get, but you can grow them in cool areas. Short-lived, they add a bit of beauty and mark the transition into summer.

Today is cool and grey – May Grey for California! – but it will warm up later on. The sun will come out inland – we live one valley in from the Pacific – but may not show itself along the coastline. Our spring has been wet and gloomy with bits of sunshine in between, but as we move toward summer, heat and watermelon and cold drinks come to mind. (Meanwhile, I am enjoying my hot morning coffee!)

Seasonal transitions – things to say goodbye to, things to welcome. I myself have been in a phase of transition, too. I am learning to play the ukulele, working on oil painting sewing, gardening. All of these take time away from blogging, which is rather nice, really. Still, the fact is that ink and watercolor, individually or together, always beckon, so before I even started the day, my sketchbook came out, colors and ink. It all makes for a good way to start the day, beating dishes and laundry and other housework by a good ten miles!

Last Day of April – Morning Sketches

The last few days have been the quintessential spring days in Southern California – and I have been outside, but never enough. I planted some tomatoes and cleaned up some plants in the patio garden, basked in the sun, and have done very little. Today, though, pen and watercolor beckoned with the morning coffee, and the colors of spring and the outdoors called.

Grape hyacinths are so odd to me! I am used to the big ones, in pinks and blues and flower petals which curl outward. Grape hyacinths make me think of little bells. This is the first year I have ever grown them, and short-lived as they were, they were so much fun to see. Bulbs always make me happy, and I have a variety of them, such as iris, ixia, daffodils. Bulbs need to be hybridized for our warm California winters, so they are not so rare as they used to be, but never seem as exciting as they do when they flower in a patch of snow.

I was poring over some photos I have, taken by me or collected through Pixabay and other free online royalty sources. Palm trees and banana plants. I did this to practice dry brush on a wedge brush – nothing great but it accomplished what I wanted – a soft bit of blending, such as in the foreground.

Once more lavender fields in Provence and other areas of southern France. In particular, mixing lavender that is bluish is a challenge; here, in watercolor, I diluted my purples with some blue and rose, as well as some greenish colors to suggest the lavender’s foliage. The scan didn’t do a great job. Additionally, I wanted to capture the texture in the rocky faces of the mountain, cracks vertically and horizontally in the bare stone.

Finally, a favorite place of mine – Figueroa Mountain in Santa Barbara County. In the spring, lupines and poppies bloom, and the view across the Santa Ynez Valley extends for miles. To me, this is the epitome of a wonderful time of year in California. It is when the rains turn the hills from brown and dull to an intense display of yellow, gold, and purple.

Drawing with ink and watercolor is pleasant and relaxing, and doing it in a sketchbook takes away the desire to create a masterpiece. Here, exploration, play, practice.

Carbon ink on watercolor paper; Rosa pan watercolors.

Before Class

Every Monday afternoon I meet up with a class in oil painting. I paint oils at home, too, and they take far longer to dry than ink or watercolor. Hmmm. I really do miss those two quite a bit, so today, before class, I decided to do two quick sketches and use a bit of watercolor.

The first was daffodils – obviously! I have several in pots, some blooming and fading already, and others sending up leaves and stems and buds. Spring flowers for sure. I have some freesias which are just beginning to bloom, so perhaps some of those later on.

And then some saguaros from the Sonoran Desert. Sunset is always fabulous in Arizona, and here we are overlooking the metroplex that is Tucson / Phoenix in the distance. I am still amazed by these wonderful cacti – so tall and elegant, and silhouetted against the sky they are even more amazing.

Okay – time to pack it up and head out to class!

The Not Taken Vacation: Ronda, Spain

Located in the province of Malaga in southern Spain, Ronda is about 65 miles northwest of Malaga, Spain. It is a “white village” located in Andalusia – a vast region along the Mediterranean and inland – but it is more than just a “white village” as it is home to what I think is one of the most fascinating bits of architecture, the Puente Nuevo. We will explore that famous bridge later on, but for now, let us just enjoy the magnificent scenery of this lovely place.

Ronda has been settled since neolithic times, but the 6th century seems to be when itself became a more settled area. It is marked by cliffs and canyons, as you can see below, but it is also built up on either side of the Guadalevin river. As the countryside is steep, getting from one side of the river to the other is a bit problematic.

These buildings are on one side of the Puente Nuevo. They stand on steep cliffs. As someone without a head for heights, I am not so sure I would want to stand on a balcony and look down – but I think looking across would show some marvelous scenery. Also, coming from earthquake country with unstable soil, my thoughts are, oops! – why did they build there? However, I expect things are far more stable than they are in my neck of the woods as this is an area where a bridge spanning a canyon 400 feet deep and completed in 1793 still stands.

So much to see in the south of Spain! To be continued!