Tag: pen

How Busy Can It Get?

No, I don’t mean life. I mean trees and piles of leaves and undergrowth – all the stuff that makes up a good fall scene! Some trees have dropped a bazillion tons of leaves and others are hanging on to them. Years of detritus build up on the ground, creating a fertile place for new growth, plant, fungal, insect, which in turn supports other life in the wilder world outside the super market.

Anyone who has taken a walk in the woods or tried to photograph or paint this jumble knows exactly what I mean – it is really a busy-ness of color and texture and shape.

This is my sketch, done with a fountain pen and some Carbon Ink by Platinum. The paper is a bit rough so it could be what caused some difficulties with the pen nib – or the pen itself is not the best – or both. I tried to convey light and dark and texture with different pen marks. Straight lines to show trees and texture and the shadows of the trees across the pathway. Contrast is suggested rather than emphasized as I wanted to use paint to give the sense of shadows and so on. With that in mind, I pulled a palette of my out-of-the-tube paints rather than pan paints, cleaned them up and went to work.

As you can see, light and dark are more emphasized with the use of color, as are the colors of the leaves and the complex shapes of trees on the left and undergrowth on the right. The leaves that have fallen have some variegation, depending on when they fell and how long they have been there. Green grasses and weeds peek through. There are a few rocks, too, and leaves on the pathway. Tree shadows fall across the trail and up onto the tree on the right. There is a brightness to the day despite the murk of the undergrowth.

After adding color, I waited for the picture to dry. I made some color adjustments. And then, back to the waterproof ink pens. This time I used Micron pens and my Uniball waterproof pens. Micron pens come in different nib widths (here 0.1, 0.2 and 0.5) and the Uniball is labelled as “fine” but in reality makes a darker, thicker mark than the Micron pens.

Overall, I am more pleased with today’s ink and wash sketch than the one I did yesterday of the plumeria. As usual, I did not do a preliminary pencil drawing but just worked from the end of the path and then moved back and forth to establish areas. I really like my tangled tree in the lower left and the shadows on the big tree on the right. The brightness of an autumn day is expressed. Now all I have to do is get to scuffling through those leaves and it will make my day.

Pen, ink, watercolor wash, on Strathmore Vision 140# CP paper, 9 x 12.

Plumeria

A package I am eagerly awaiting is supposed to be delivered today. I want to be home for it even though it is not required – I just don’t like leaving things on my doorstep even though I live in a good neighborhood where porch pirates don’t happen as far as I know. I mean, people leave their garage doors open all hours! Me, I batten my hatches and lock my doors because I prefer to, even though a part of me so wishes I could be that trusting.

And so, what to do whilst I wait? One thing is always to go outdoors and sketch. My plumeria plant has been beckoning me for some time, as a sketch and as a painting. Today, ink and watercolor wash on some Vision watercolor paper.

First, the scanned pen sketch. Waterproof ink always works when using a wash over ink. The pen itself is not especially fine, but with a lighter or heavier touch, line variations can happen. I did this without a preliminary sketch with pencil.

Then, nap and coffee and now, ready for the watercolors, I chose just a few colors – a magenta, green, yellow, blue. Mixing magenta and green produced the greys of the stems, greens and yellows the greens, and the blue and greens the background wash. The idea was to keep the colors minimalist as well as create a consistency throughout the washes.

The scan is not a good one but it does give the idea of what it looks like on paper. I am inclined to think that the background wash is not ideal and the next time I do a sketch like this I will just leave the paper white. Too many times I have been disappointed by such scans, and even with the original paintings.

Time to go knit in the sun with a good audiobook!

Watercolor, pen and ink, Strathmore Vision paper, 9 x 12 inches.

In the Devil’s Garden

The American Southwest is amazing. Austere, rugged, rich colors of red barren stone showing sedimentary rock layers in many different colors. Plant life is tough and diverse and needs to be able to withstand extreme heat and cold, as well as arid conditions. Portraying these colors is really a challenge and a lot of fun as well! Here is the Devil’s Garden Trail area in Arches National Park. I thought doing it in pen and color might be the easiest route . . .

Strathmore Vision paper, 9×12, ink, watercolor.

Trees in the Back Yard

For the past few weeks it is as if I fell down the rabbit hole – nothing made too much sense! The main thing was getting the walking boot off and getting used to being a bipedal organism after weeks of sitting around, walking here and there in the house or at the market, only taking minimal steps. It may sound weird, but for me, actually walking became an almost surreal experience. I am doing fine, too, but my mind and body had to coordinate it all once again. Jumping away from a moving car to save my skin was great, but spending 2 months recovering, and then some, from a badly bruised and messed up ankle is something else.

Doing nothing much sort of leads to a torpor and little desire to do much. I admit, I watched a ton of TV and movies, and played bits and pieces of music, but the motivation to do much of anything was very much missing. But now autumn is in the air, cooler days and cooler nights, light shifts and just that wonderful sense of change that comes with seasons – and being able to gad about – have me emerging.

Classes also help! A couple of painting classes, a ukulele class, and digging out my pen and watercolors have got me moving. Today, my ukulele class is at 5, so I decided to just sit out in the back of the house with pen and ink and pan paints and a waterbrush and sketchbook. As the season changes, leaves change color and drop.

This is my first sketch. We have a beautiful crepe myrtle tree with a rather vase-like base. Large branches spread out from the trunk like a V. It’s the prettiest of the local crepe myrtles, I think, because of this shape. Its flowers, too, are not the usual bright pink but a deep red violet. I decided to sketch with its flowers even though they are mostly gone. The leaves turn an orangish green with the end of summer. I made them greener. At the base of the tree is a small bush that has pink flowers in the spring.

These are podocarpus trees which line the back fence. They are ridiculously fat and poorly spaced – I am innocent! I didn’t do this! – and way too tall. I need to get them removed. They are really rather messy trees, and drop leaves year round as they are not deciduous. Despite these drawbacks, I really rather like drawing them as their trunks have an abundance of texture and the leaves seem to appear in clumps so that colors vary in shades of green depending on the light.

And there we are! I think I am beginning to feel like my life is returning to normal, and for the past year it really has been odd. Breaking and injuring my bones seems to be this year’s theme, so let’s hope it is not going to become a tradition. I would rather spend my time rambling around outdoors, enjoying what there is!

Later . . .

Morning at My Desk

Today there is a bit of running around to do, so this morning I was in a blithery mood. Things to do – like the usual morning stuff – but I also know I won’t feel too focused on any one thing, so sketching with ink and watercolor seemed to be the best of all choices. (After all, life is not all about dishes and making the bed!)

On my desk is a small hand weight and roll of painter’s tape. Warm-up. And now immortalized.

Next, the great outdoors. Mountains and trees. I would love to be walking around here, but sadly my ankle is keeping far more stationary that I want to be. I am getting better, but I have to just keep all to a minimum. I can go to the store and walk a bit, but I need my heel to get better more than anything.

So, the painting. Goal is to get a sense of distance with the gradations of the mountains as they recede into the distance. Accomplished!

Finally, a scene with some complexity. I figured my warm up and splashing of paint were ready to meet my next challenge which is to paint buildings, people, perspective. Landscapes are comfy but I really want to push myself a bit more, as I did the other day, with direct painting and more patience and planning.

The first two sketches were done in very short order, but here I pulled out my pencil, limned in lines and worked on perspective and size. I think my people are a bit too tall, and I put them in before I did the painting of the buildings and the road. The buildings, too, are a bit wonky, but they work fairly well. I painted everything and then, once okay with the picture itself, I decided some black lines here and there would be good to help pull the painting together. Not perfect, but pleased with the results as I did meet my challenge.

Pentalic Aqua Journal, about 7×10, watercolor, Uniball micro pen.