Tag: pears

21-24 / 30

I am getting burnt out on these drawings! I decided to take a few days off and will pick up again tomorrow. Since I have committed to 30, I only 6 more to go by 4/17. I think I can handle that!

Day 21

Cannon Beach, Oregon. Figure is too big, some foot prints too dark and too big in the distance.

Day 22

Initially I had drawn this shack so that the beach and waves in the distance were parallel to the edge of the paper. After scanning it, I realized it looked better with a bit of an angle to it. Interestingly, a comment said it made no sense because the ocean is out there, straight ahead. Obviously, too realistic of a person, or someone who hasn’t taken a photo. Really, to me, a very interesting and odd comment and viewpoint!

Day 23

Here is a scene of looking down onto a beach. The distant cliffs look okay, but the descent to the shore in the midground is definitely confusing.

Day 24

During last Saturday’s zoom meeting, Ian talked about cross hatching. I use it a lot in ink drawing, but not in pencil since the idea for a lot of this 30-day challenge is to limit marks to horizontal and vertical. The idea is to create value studies, not finished drawings. Interesting lines do not make for good value studies of light, medium, dark. However, a simple use of lines, cross hatching, vertical, diagonal, horizontal, helps delineate shapes, such as curves. I based this drawing off a study of 3 pears by Cezanne.

Commentary

These studies are making more sense and getting easier to execute so that shapes have shape, even if not always understandable.

A Pair of Pears

By far, this is the best of the 4 pastels I have done thus far.  It sort of came together.  Watching a YouTube video helped, too, to get an idea about how to proceed.

I used my fingers for most of the blending, and used a baby wipe in between to clean up dirty finger tips.  I also worked the primary background and foreground first, working around the pears before doing the pears themselves.  For the Saguaro painting, I had done the cactus first and then the sky – not really successful as the sky became a bit smudged with the greens.  Live and learn!  I used a torchon / stump for the areas closest to the pears and in the shadows to help isolate things.  I cleaned them off with rough sandpaper – 100 grit.

Another thing I did was consider color and complementary colors in the painting.  I simplified and did big areas before moving into smaller and more defined regions.

Of course, not all paintings will be this successful!  It’s fun to compile knowledge and start using it when creating a picture or painting.  The simplicity of this painting pleases me, but it was a more complex process than may appear because of the multiple layers of color put down.