With Lines, Without Lines

Yosemite: Reflections at Mirror Lake

If you have been following this blog of late, you will know that I have been putzing around with watercolor on a more serious level than in a long time. (Really, more serious than ever before.) In the process, I have struggled with control of the medium, like all who begin with watercolors. Lines help when a painting fails, and sometimes lines add to a painting if that is part of its intended style.

Having done sumi-e for many years, I love lines and their expressiveness. I also like colors, and that is where self-control needs to show up the most. Think of Hawaiian shirts or 40s palm frond prints and you get the idea about my ideas of color – louder and more is the best!

This painting of Mirror Lake was very satisfying as I felt the use of sumi ink and colors worked well.

Grapes of Wrath (3)

The painting is inspired by a number of paintings I found when I googled “pears grapes watercolor” and chose images. There were a lot out there, and so I painted a number of grapes-and-pear paintings yesterday.

This is the one that pleases me the most. I like its painterly elements and the colors of both the grapes and the pears. It is the most controlled and thought-through of the series. I did not draw any pencil lines prior to painting it, but painted it freehand, recalling brushwork in sumi-e.   It’s easy to fall prey to haste in watercolor, to achieve a “painterly” look, but it really requires forethought, just as sumi-e does.

I did four paintings altogether in this series, which you can find under “My Other Lives” above.

The Grapes of Wrath

Today was a day of wrath!  I was soooo frustrated!

And a day of learning.  I did four watercolors without lines.  The first two were sketched in with pencil; the last two were done freehand, relying on imagination and the precepts of sumi-e, where lines are not drawn.

In each painting, something works, and in each painting there are places of failure.  What I failed at was separating various areas from the neighboring shape or shadow.  Some areas appear rather painterly. I still have a long way to go – but at least, at last, there are no lines.

Paper is Canson’s watercolor paper, and colors include quinacridone yellow, cobalt teal, carbazole violet, ultramarine blue, burnt sienna, Hooker’s green, alizarin crimson, Payne’s grey, and a few others.

Grapes of Wrath (1)
Grapes of Wrath (2)
Grapes of Wrath (3)
Grapes of Wrath (4)