Boy on a Beach
Ink
Besides ink for drawing, a fountain pen and colored ink for writing is also a good thing to have lying around, but contained in a bottle or pen, of course. I am out of homemade iron gall ink and my quills are a bit bedraggled, so I’ve resorted to more modern technologies for awhile.
Foggy Morning with Birds
Before I finished yesterday’s painting, I took some time to take pictures of the painting itself, and out the window. We don’t get a lot of fog out here, so the pea souper we got was fascinating to watch as it lifted. From thick and dense, it slowly dissipated – I was cold from the damp, but the view was great.
Somewhere in Ventura County
I have been taking classes from a local teacher and artist, Harvey Cusworth, through a seminar and adult ed classes in oil painting. He is an experienced teacher and one who pays attention to each student, gives good suggestions and advice. Additionally, he is an experienced teacher which, in my opinion, adds a lot of value to a class as he is very aware of how a classroom of unruly kids or adults can act!
In the seminar we started landscapes, but because of getting sick, I missed two of the classes along with a number of adult ed classes. I decided to continue into the adult ed class the landscape I had started in the seminar just because I thought it challenging but also something I wanted to paint – a landscape from the back country here in Ventura County.
First: my final (as of this writing) version of the painting.
And now, it’s evolution. First, Harvey’s photo which was the subject matter – in color and then reduced to black and white to get a sense of values.
Next, my own rather goofy value study, painted in color and then reduced into black and white.
This painting is done in oils, and has taken me several hours over several days to complete it. Even now, I have to let it sit and dry and regard it a bit more carefully to see what I think of it. As it is still wet I took a photo of it, and in places there is some glare, seen more clearly when enlarged. 11×14 on a cotton canvas panel.
As above, I like to see what my work looks like when turned to black and white – for values. Also, it is just fun to do! I just use the sliders in LR to reduce vibrancy and saturation reduced to -100. Doing this is really a good way fro me to evaluate contrast and such.
So, there we are. In general, I am pretty pleased with this painting. The goal is to lead the eye along the creek to the small stand of tree at the top of the creek. I wanted to show the brightness of the barren mountains in the distance, but did not want them to become overwhelming. The BW image of the final painting shows that the mountains are very similar in value as the sky. Is this an issue? Not sure. Things like this are to be considered in a few days when it is no longer in front of me.
Now, on to other things, like cleaning my brushes . . .
Lone Cherry Trees Along Figueroa Mountain Road
These two trees have long since vanished. I photographed them in 2012 in Santa Barbara County along Figueroa Mountain Road in the early spring. I thought they were a beautiful spot of color against the greens of the California hills, which in themselves, during a superbloom, can be covered in shades of lavender, orange, and gold.
I mixed together gouache paints – whites (zinc and titanium) and some ivory black with my watercolors. This allows for layers to be built and bits painted over, as in gouache, but allows for a bit of transparent and opaque. I’ve done this before and always find it is a lot of fun. Gouache, when thickish, is best with small paintings, but mixing whites with watercolor gets an effect like gouache but at a much lower price point.
The photo – linked from Flickr – is not an especially good photo, but I do feel it catches the beauty of these two trees. When I went back looking for them a few years ago I could not find them, so I am glad I have captured them!
Watercolor paint mixed with white and / or black artist’s gouache. 11×14 on Canson watercolor paper.
Ink, Yarn & Beer 