Category: Blitherings

A Tale of Three Paintings

Over the last week I have been painting the same image three times, each time in a different media.   I began with gouache, moved to pastels, and did the final painting in watercolor. Doing such an exercise was really educational as well as pleasurable.

As you can see in the gouache, the perspective is totally off! I didn’t do much of an underdrawing, just a few quick lines, but I didn’t really check this point against that, as well as compare it to the photo. The result was an uphill beach, and a total lack of realistic perspective. I suppose it would look like htat if my head were on its side, lying in the sand or something! Anyway, it was a good lesson as I realized most of my perspective issues are simply the result of poor drawing techniques.

This next one is my favorite. Maybe it’s because I am just learning pastels and totally in love with them. Here, the perspective problem is solved. The cliffs look quite sandy in the picture, and in reality, they are. Along the coast where I live in California, cliffs tend to be friable, made of highly compacted but still fragile sand. They easily collapse, and it is really foolish to sit under them on the beach or to walk along there edges. After rains it can be especially dangerous, and one year a major landslide occurred and several people died. It was not good. So, I think these cliffs are pretty accurate representations of what our cliffs look like here.

Finally, watercolor. Perspective issues remain resolved, but a sense of distance prevails along the strand of beach on the opposite shore. Rather than overwork it, I left it as it was, still pondering how I could make a sense of distance as the beach veered off to the left and background. More blue? Less detail? I’m still befuddled on that one.

Altogether, using three different mediums to paint the same image was rewarding. Problems occurred in all paintings, many of which could be applied to others. Perspective is always an issue for me, so I really need to focus on it probably more than anything in landscapes. I know the rules, but need to find methods to implement them. Gouache and pastels are more forgiving as you can paint over what is underneath to a reasonable degree; watercolors are pretty much a one-shot deal. I think I will continue the 3 painting studies in the future as I learned far more than if I had only done one study in a single medium.

Abstraction

If you follow my all-purpose art blog, Journey By Paper, you know that I have been slithering around with pastels, gouache, and watercolors as a theme for a painting called “The Slough” – sort of an evolutionary adventure. In doing so, I began to move into a kind of abstraction, painting without lines.

Generally, I tend to paint watercolors without any lines on the paper. I don’t know why, but the lines too often act as a cage, and keep me from just exploring color. I really love the way colors and water react on good paper, and I think the lines make me think I need to produce a “perfect” painting, whatever that is. So, here are some abstractions I did, all in one afternoon, in the order I did them. Comments about each panting are below them. All were painted with a 1/2 inch or 1 inch flat brush.This one I wanted to work on contrast, saving white paper, and creating shapes with the 1/2 inch brush. I was pretty pleased with the results, but the foreground was a bit of a puzzle.The above is an abstraction of heather. The sky doesn’t match the heather. This one I need to re-think.I really like this one – the colors just are so beautiful (to me). I think the abstraction worked to catch trees and snow in the spring, although perhaps I could redo it more simply.Finally, this yellow house has been calling out to me, but a yellow house is not that interesting in and of itself. But, a series of shapes to make a house became the idea after doing all those abstractions before it. Here, a 1 inch brush and a bit of thought. I like this one because it is cheery, has white paper showing through, and is showing me what I can do with pure colors.

Joy

Every year I watch the Decorah Eagle Cam,  sometimes just leaving a window open I can watch off and on all day on one of my monitors.    Right now there are 3 little hatchlings, tottering and feeble, still covered with their downy white fluff. There are two cameras at least, and perspective changes and close-ups are done by the remote operators. As time goes by, of course, the eaglets grow, losing their down and begining to sprout black feathers – they are so funny looking at this stage! By June, they are learning to fly and hop from branch to branch in the huge tree where their nest is located. Mom and dad fly around, and bring them trout to eat – there is a fish hatchery nearby – and the occasional dove or hare.

Here, to me, is joy in seeing the cycle of life every year and the beauty of the world we cannot see in our own.