Tag: sand

The Strange Edges of the Sea

I got a few painterly goodies for Christmas, and one was a new tablet of watercolor paper, one which I have never heard of before. Of course, it needs checking out. How does it handle wet paper and washes? Dry brush? Bleeding? Etc. It is not an expensive paper – $20 for 32 pages of 9×12 pure cotton paper – but it is actually a decent one. I can lift colors from it pretty easily, too! It is a rather nice bit of paper overall, and while not Arches or Fabriano, I think it will do quite well for studies, and probably gouache as well.

Besides playing with new paper, I have also attempted to lead the eye in the composition to a small area of white. Rocks, waves, clouds, land masses, sand, whatever are all designed to catch your eye. I think it worked out pretty good. I also am rather pleased with the movement of the sand in the lower right hand corner.

9×12, CP 140# paper, watercolor.

A Bit of Colorado

Great Sand Dunes National Park and Preserve is located in south central Colorado. It is, as the park site states:

The tallest dunes in North America are the centerpiece in a diverse landscape of grasslands, wetlands, forests, alpine lakes, and tundra. Stay on a moonless night to experience this International Dark Sky Park’s starry skies.

I never ceased to be amazed by the beauty of the natural world.

9×12 hot press Arches, 140#, gouache.

Along Mystic Creek

I cannot believe it has been over 3 weeks since I last posted here! Suffice it to say I have been busy with learning how to handle oil paints and some drawing, and really not in the mood to look at the computer much.

That said, today a trip down to Pasadena’s Blick store was a fun morning’s journey and got my mojo going again. I didn’t spend too much, but did pick up some colors in oil and watercolor from brands not available locally (and that is not to say we don’t have a fantastic store nearby), and just had fun wandering around a well-stocked art store. The esposo did the driving as I am not a big fan of driving in L.A., even on a Sunday morning.

Anyhoo! I am trying a more subtle approach to my watercolors – perhaps less bright, more delicate? As well, trying to convey depth better along with leading the eye of the viewer where I want to go. Not too sure if it is working, but the process is fun.

9×12, Fabriano 140# CP.

Along the Shore

It is always worthwhile looking at the works of various painters, regardless as the medium in which they are creating. The works of Edward Seago have a charm to them which is old world, peaceful, and hearkens to a quieter and simpler time. This painting is based loosely off one of his oil painting of the eastern English coastline. What attracted me was – and is – his vast skies. The low lying shoreline beneath such a magnificent sky is worth trying out. The same may be said of the watercolors of Edo Hannema – he, too, finds the work of Seago, and Edward Wesson, as sources for inspiration.

In Southern California, the sky, where I live, is almost always blue. No clouds, little haze. Humidity sits at zero. (I won’t discuss the vast amount of lotion I use!) However, the big skies of the midwest with towering clouds, or the piles of clouds over New Mexico, are in my memory, and so the clouds and moist skies of a wetter clime draw me.

Here, I used the 1.5 inch flat brush for 90% of the painting, resorting to a small flat brush – 1/4 inch – for some detail. Large washes, wet into wet, some glazing. Paper is Arches 140# CP, 16×20. The large brush is becoming a favorite for sure!

The large brush helps me keep my colors clean and think about masses rather than details. Big to small. I am also refreshing my water as I move along – this took about 2 or 3 refreshes – and cleaning off my palette, too. With a large brush, large washes, a lot of color is used. Clean palette, clean water, and, of course, a clean brush. The results are beginning to be seen.