Lust

The first time I saw photos taken with the Nikon 50mm f1.2 AI-S lens I was smitten with lust. The narrow DOF, the bokeh, the visual qualities of the lens all beckoned. For years I have sat on the fence about buying one – they are expensive!

Finally, I gave in and found a wonderful deal on “that auction site” and won it for what I consider to be a good price. I bought it 3 days ago, and now it is here, complete with hood, front and back caps, but in need of a filter. I removed one from another 52mm-filter-using lens, and went to work. I took these with my Nikon Df just now.

I shot all of these wide open at iso 100, indoors and out to see how the 1.2 aperture worked. To say I am happy is an understatement. The Df shows what the lens can do, an it still retains that quality that many older lenses. The serial number of this lens indicates it is an older one, dating from an earlier manufacturing run. This lens has been made for over 40 years, from 1981 till 2006 from what I can see. Since you can still buy them new on B&H for $749.00, perhaps they are still being made.

I ordered some extra filters to use with this lens. I already have UV and orange, but amongst my other 52mm filters I have NDs and polarizers along with an Orange 21. I have decided to add both yellow and red to use with black and white film on the FM3a to experiment and learn more about colored filters.

And that brings me to another thought: I need to up my game and challenge myself a bit with photography. Perhaps a 365 project with hints from sources, or just a determination to shoot B&W film for a year with this lens and the FM3a. Maybe I should aim for 3 images a week with just one film (ie Tri-x, HP5) or a variety of B&W films to see what they are all about. It certainly could be fun.

So, a BIG Christmas present to myself . . . a prime lens I know I am going to enjoy.

Happy Holidays everyone!

From Below

What is it about old German folding cameras? I have a number of them and, while they can feel clunky compared to point-and-shoot cameras, or DSLRs (or mirrorless), there is something just so wonderful about using a film camera.

This is a cropped 6×9 image from my Zeiss Ikon Ercona, ca. 1950 and serviced by Jurgen Kreckel. His cameras are well worth their costs, high or low.

I have problems figuring out how to go up or down with a camera-top viewfinder. My brain doesn’t seem to “get it” but maybe I’ll get the other half to logically explain it to me. He’s good at that.

So, out for a walk to check out the camera – I bought it last July – and trying to become familiar with the camera, and guestimating exposures. Some good pictures resulted, and some dogs. I’m better at guessing exposure factors for 100 speed film. I used a roll of 120 Portra 400 film as my test roll.

Whenever I get film back, I am always so pleased. I really do prefer it to digital, hands down, but digital has its place, too. This Ercona was fun to use, a bit of a pain, too, but whenever you have something new in hand, or something old, there is always a bit of a trial-and-error period. This happens even if you have shot with the camera before.

A rose by any other name, and shot with any camera, is pretty sweet – even better when you like your photo!