Digital allows you to use the proverbial scattergun approach to imaging for a panorama . . . film requires a bit more thought through the viewfinder. Parts you think you have disappear, and you don’t know until you have left the place. Sometimes CS6 can fill in the gaps and other times you just have to crop, even if you have a different vision. Ah, well. Here, though, I was pretty pleased, though not perfectly pleased, with the results.
Done properly, images through the windshield or a side window while in the car can be quite fascinating. Â The trick was to get the right exposure – and for the V3 I found shutter priority, set to 1/640, seemed to do the trick. Â Here, we are enroute from central to western Wyoming, specifically the Grand Teton National Park.
I tried to catch the window on the gallery where I stood one night in Salt Lake City. Â The automatic exposure of the XA4 was a long one . . . when I first glimpsed this, I wondered what fire I had photographed.
On a rainy day . . .
There is something rather moody here that really appealed to me, more so than the color version.
Ink, Yarn & Beer 