Haystack Rock

More of the northern coast along the Pacific Ocean. Here, Cannon Beach in Oregon, possibly one of the most dramatic beaches I have ever seen. Sea stacks, tide pools, sand, mist and fog. When the fog lifts and the sky brightens, there is a glare that cannot be explained. It’s not a summer day brightness as we have in SoCal, but a brightness that is cold but not like on a snowy day. There is a lot of moisture in the air, from sea and fog, and perhaps that is what magnifies the light to such a degree.

If you look closely, you will see some of my ink bled into the paint. I used my iron gall in, not my waterproof micron pens, and a stub nib to draw. From there, I wet the sky, dropped in colors, and then let things dry to dampness. I wanted to create soft edges for the mist in the distance which blurs and softens edges. The rocks themselves were painted wet-in-wet initially, and then other colors applied to either dry or damp paper. The sand and the rivulets were painted in the same manner. In the end, I drew again with my iron gall ink to add texture or detail.

Keeping this sketchbook is so much fun! I have room to paint as the sheets are big, the paper is strong so I can use both sides, and I can paint with a lot of water should I wish. It is proving to be one of the best decisions I have made of late!

Grass Lake

Eastern Oregon; Grass Lake.

Apparently back in the early part of the last century, this was a really nice place to come. The lake was renown for fishing and there was a hotel – resort, anyone? So, to kill a lot of fish all at once, someone decided to do it with dynamite. The result? The area is volcanic and beneath the lake was a cave or something, made from cooled lava. The dynamite broke the roof of the cave . . . drained the lake . . . lots of dead fish, and that was it.

The End.

Now it is a lovely rest stop alongside the road, with a trail, picnic grounds, pet area, and a much welcomed spot. When it rains, I think the lake may fill with water, but for now native grasses fill the lake bed.

Breaking Fog

Another study of an Oregon coastline. Morning fog with a bit of sun breaking through.

I must admit, I am really pleased with how this painting turned out. It seems that returning to the scene (of the crime?) is helpful, as well as working in different media. I did this same scene in watercolor a bit ago, and I plan to do it in pastels as well.

Done on Arches 7×10 inch hot press 140# watercolor paper. Hot pressed paper seems to be the best choice for gouache. Time to order some more!

Along the Oregon Coast

If you think that the SoCal coast can be foggy, Oregon is by far more foggy at times!  It’s an incredibly beautiful coastline with wide, nearly empty beaches.  Out to sea are the sea stacks, some large, some small.  In clear weather they are stunning, in the fog, spooky and eerie.

Today, a limited palette and paying particular attention to laying down water and thin colors.  Washes are the dominant technique used here.  My little picky brush strokes had to give way to broad ones for the beach and damp sand.  It actually worked fairly well.  Water, water, everywhere!