Two Color Studies: The Mountain

One nice thing about working in only two colors, you don’t get mud.  You get dark colors.  You get light colors.  You get medium colors.  I find that this is actually harder to do, in some ways, and easier, too.  Harder because I have to decide on value (light, dark) and which direction to push the color (blue, brown).  It’s easier as the decisions of color are already made for you (me, the painter!).  Here I have limited my palette to Ultramarine Blue and Burnt Umber, as in the earlier studies from Ted Kautzky I did last week.

After looking at the scan, I realize that some of my darker trees in the foreground sort of float in space!  The lighting at present makes it hard to see, but I will probably go back and correct it later on.

 

Early Morning

early-morning-2

Another photo from the misty, moisty morning I climbed out of bed . . . .  While the Galaxy S5 takes OK panos, I like the stitching-together process better.  Here is a view of Mount Clef across the grasses of the small valley in Wildwood Park nearby my home.  Today we expect 86F, and tomorrow 91F.  I think I live in hell sometimes, even though it is very pretty!  I am tired of this heat – ongoing heat – and dream of water falling from the sky.