21-24 / 30

I am getting burnt out on these drawings! I decided to take a few days off and will pick up again tomorrow. Since I have committed to 30, I only 6 more to go by 4/17. I think I can handle that!

Day 21

Cannon Beach, Oregon. Figure is too big, some foot prints too dark and too big in the distance.

Day 22

Initially I had drawn this shack so that the beach and waves in the distance were parallel to the edge of the paper. After scanning it, I realized it looked better with a bit of an angle to it. Interestingly, a comment said it made no sense because the ocean is out there, straight ahead. Obviously, too realistic of a person, or someone who hasn’t taken a photo. Really, to me, a very interesting and odd comment and viewpoint!

Day 23

Here is a scene of looking down onto a beach. The distant cliffs look okay, but the descent to the shore in the midground is definitely confusing.

Day 24

During last Saturday’s zoom meeting, Ian talked about cross hatching. I use it a lot in ink drawing, but not in pencil since the idea for a lot of this 30-day challenge is to limit marks to horizontal and vertical. The idea is to create value studies, not finished drawings. Interesting lines do not make for good value studies of light, medium, dark. However, a simple use of lines, cross hatching, vertical, diagonal, horizontal, helps delineate shapes, such as curves. I based this drawing off a study of 3 pears by Cezanne.

Commentary

These studies are making more sense and getting easier to execute so that shapes have shape, even if not always understandable.

Owens Valley

I have been going absolutely crazy since Monday when I found out I had a serious computer problem. It took 10 hours or more to fix it. Add to that, I have to choose a new Medicare supplement plan. That means research, reading, deciding. And stress. All this has been making me crazy, cranky, and not a happy camper.

So, today things are winding down, and tomorrow dawns with all decisions made and the world will be a far more pleasant place. To de-stress, out came the watercolors, and a photo from our covid-cancelled trip. There is nothing like painting to relax and zone out. Here, a painting from a photo shot from the window of the car as we drove along Hwy. 395 and the world swished by.

It’s a harsh landscape, but one of subtle beauty. Vast open spaces, too, add to its grandeur. And, it makes me happy.

Dry Land to the East

I was in the passenger side of the car, in the back seat. The land was barren and dry, filled with rugged rocks and sparse vegetation – beautiful and lonely.

I like to have my digital camera (here, X100V) set to a fast exposure and point and shoot, shoot, shoot, shoot out the car window. It is always surprising what you get and rather fun, too.