Carp Diem Gouachensis

A Study from Lena Rivo’s “Color Mastery” Class – Value Exercise

Awhile back I enrolled in an online class offered by a gouache artist, Lena Rivo, whose work I admire. The class is called “Color Mastery Essntials” and I have found it to be such a pleasure.

I have been painting with gouache since around 2019, and the first task was to get comfortable with the medium, learning its quirks. Every medium needs a level of study that comes simply through experience, and then, once experience is gained, refinement of that experience. Lena Rivo can be found on YouTube, painting in oils, acrylics, and gouache. Her style is simple, her colors are very clean and vibrant. Because mud is my middle name, I thought her class would be worth a try.

Was it? Most definitely. I have gone through nearly all the modules, and am doing them another time. This one is what caught my attention today – value. I really don’t see value but with the exercises in her class, values are becoming more and more visible. The above exercise was about values. The light colors of the fish contrast sharply with one another, some being darker and others being lighter than the water. Besides value, the question is what temperature do you see within the values? Warm? Cold? I never really thought about things this way.

If you want to see Lena Rivo’s work on YouTube, click here, and for her website, click here. There are free downloads about how to improve your art and an excellent guide for painting with gouache. A gallery of her work is eye candy, filled with beautiful colors. Flowers, people. landscapes, the sea and more are all represented here. You can also find links to her courses.

I won’t go into too many details of the class I enrolled in, as it is her class, but I will say I do recommend it. It is clear and logical, moving from simple to more complex. Topics covered include how to keep your colors vibrant, even in shadows, how to evaluate light and dark, and steps to take to evaluate what you see to create your own, original painting.

In all honesty, I tend to be skeptical about online learning, mostly because live online learning can be very poorly done. The same with a class that is prepared and self-paced by the student. Lena Rivo’s class is not dull, it is interesting, and full of important details that don’t overwhelm. Each lesson builds on the previous, and repeating modules effects learning more with each round.

I plan on continuing to repeat what I’ve already covered because I am seeing it again, with new and more experienced eyes.

Thaw

Today it is still cold! I went out with my drawing class early this morning – 53F! (Laugh if you want – but that is really unusually cold where I live.) The sun came out and warmed us up, but I still felt the chill when I got home. A hot lunch started to thaw my chilly bones – so let’s consider that Spring is around the corner, and the thaw begins with running creeks.

Another Look Back (1/26 to 3/13/2021)

I always enjoy taking a look at paintings and studies I have done.  Last time I posted them here was in late January, so another posting is due.  I have been really busy over the last couple of weeks getting this mess of a house cleaned up, so painting has been a bit sporadic.  Some of the ones here may be duplicates of previous, but as my life is chaotic, so go my posts.  My pencil portraits need to be scanned, and they will come at a later date.

Windbreak

I should have gone to my Pencil Portraits class . . . but it was raining and cold and it’s outdoors.  I’m a wuss, enjoying snow and ice from a distance.  Thus, biting cold, frost, and snow fog.  Wander along the road, beneath the trees, and remain in my snug house with a cup of cocoa and blues a-playing in the background.  Not a rough life.

The Scragglers in a Winter Wood

For some reason the winter and snow scenes of Maurice Utrillo were wandering through my mind when I was painting this. Yes, he painted urban winter scenes, but I don’t think that really matters. What I saw here was the brushwork, a scumbling to blend colors, which I think of when I see his paintings.

Initially my idea was to attempt a pointillistic painting, but the subject matter really doesn’t lend itself to dots.  What I did was to lay down dots, as in pointillism, and then work them into each other for color gradation, textures, and mood.

If I am to be honest, I am really pleased with this painting!  I hope you enjoy it, too.