Too Much Lavender Land

Well . . . I haven’t painted in gouache for months, much less painted in weeks, all because I had my first cataract surgery several weeks ago, and my last two days ago. I think my scanner is way off as far as colors go as well as my monitors. This scanned image is not the picture I painted.

I pulled out a camera to take an image, but cannot find my card reader to fetch it. My whole computer needed to be reinstalled because of some bad software.

I suppose the good thing is to get some painting done, but it really feels dreary to look at this abomination. I shall be Scarlett O’Hara now and say, “After all, tomorrow is another day!”

More Roses

I enjoy watching videos on YouTube to see how other people paint or do things. This study is based on a video by Lena Rivo, a gouache artist I quite admire.

Roses are also a part of my own gardening – I have a number in bloom right now, although this year they seem a bit off . . . Nonetheless, painted or in bouquets or in the garden, roses are a delight to nearly all of us!

Apricot & Cherries

Apricot & Cherries from “Color Mastery” course by Lena Rivo

This morning was the last day of our Pencil Portraits in the Park class, and it was sad and fun and productive. Hopefully our teacher will offer it again. As we are outdoors and all vaccinated, most of us go maskless. In the classroom, two hours of wearing masks would not be fun.

After class, a trip to the store and then home for lunch, a nap, afternoon coffee, and continuing the repeating of my following along with Lena Rivo in her “Color Mastery Essentials” class. For this study, she wants the student to see how things are done – give an overview to the novice – but as I have already a bit of experience, I followed, paused the video, painted, backtracked, and so on.

My study is not particularly elegant or well done, but the experience is what was important. I know more about color mixing, but the lessons also mentioned mixing the gouache directly on the paper, painting the main subjects first (guess what they were!), doing the shadows, and then painting the negative space – the background – around them. From there, refinement, such as stems, fixing shapes, etc. I decided to add some prints to the tablecloth in colors I had left on my palette, and rather like the way it pulled everything together a bit.

To be continued . . .