Tag: buildings

A Sunday Painter

These past two weeks have been rather a waste – bumps in the normal routines create havoc and everything just seems to fall apart. When that happens, it really does require a focused effort to get back up and into whatever interests me. I am just coming out of a cold – thankfully, not a sinus infection – that has made me not really tired, but just lethargic and lazy between bits of fever and congestion. Lounging around and doing very little and sleeping a lot has been my agenda, filled in with little fun things like dishes . . . .

Actually, yesterday was possibly the real turning point. I was feeling better, so I did some sewing in the morning. I am hand-sewing a top without a machine (including finishing the seams with a whip stitch), just to do it. Then blob time. Miss Marple entertained me for an hour or two between naps. And then it hit me – I was just unhappy because I wasn’t doing what I like to do best – paint or draw! I didn’t want challenges or messes (ie oils) to clean up, but …. what?

Gouache!

I haven’t used gouache for some time. I keep it in the fridge between uses. So, while it was coming to room temperature and soaking up the water I put on it, I taped up a piece of 9×12 CP 140# Arches into two somewhat equal sections. Hot press paper is my preferred paper for gouache as it is smoother and lets the paint move over the paper more easily than cold press.

If you have been following my blog, you know that of late I am rather focused on lavender fields. This first painting was no exception. I wanted to see what I could produce, sort of from a photo, sort of off the top of my head. I wanted a gloomy-looking sky to match the grey, rainy sky of my own world this Sunday, and so moved along. Landscapes are very forgiving (I think) and are a good way to warm up when re-acquainting myself with a medium. So, a lavender field, somewhere in the world.

Then, more of a challenge: Buildings, water, plants, and a boat on a river.

Somewhere in a mythical village along the Nile in Egypt. The traditional sailboats – the felucca – are just so beautiful to see because of their simplicity in shape and line. I sourced a number of photos to create this one. I drew in some basic lines, but that was it. I started with the buildings and then the sky, painting the palms and plants before beginning the river its banks. I left the entire area of the felucca as blank paper, waiting until the end to fill it in. The sail was fairly easy, but the shape of the boat and the suggestion of a person was the most challenging. In the end, I was really pleased with how I met this challenge I presented myself!

Paintings are about 4.5 x 10 each – maybe more or less, I am not going to measure! – using gouache on Arches CP 140# watercolor paper.

Abandoned

Yesterday’s splish-splash was fun, and it seems that I need to take time to paint in watercolor and acrylic as I work toward mastery of oils (on some level!).

I love watercolors, and some days I find I have no patience and just do not want to be too serious. This is when play and messing around are best. Because of yesterday’s madcap painting, today I felt calm and inclined to taking time to pay attention to detail and think. Watercolor really does require thinking as you cannot correct a lot of mistakes.

When I draw with ink and then add color, I never use a pencil to create the rough outlines. Ink and I just get along really well, and usually proportions and details are sufficient to get me started. After painting, I go back and add more ink in areas I think need it, but as today was a minimal ink day I used the watercolors to create more details and information. It is also interesting to note the amount of time a painting takes – sometimes hours, sometimes minutes. I spent about 90 or so minutes here, and am pleased with the results over all.

9×12, Hahnemuhle CP 140#, watercolor.

The Not Taken Vacation: Ronda, Spain

Located in the province of Malaga in southern Spain, Ronda is about 65 miles northwest of Malaga, Spain. It is a “white village” located in Andalusia – a vast region along the Mediterranean and inland – but it is more than just a “white village” as it is home to what I think is one of the most fascinating bits of architecture, the Puente Nuevo. We will explore that famous bridge later on, but for now, let us just enjoy the magnificent scenery of this lovely place.

Ronda has been settled since neolithic times, but the 6th century seems to be when itself became a more settled area. It is marked by cliffs and canyons, as you can see below, but it is also built up on either side of the Guadalevin river. As the countryside is steep, getting from one side of the river to the other is a bit problematic.

These buildings are on one side of the Puente Nuevo. They stand on steep cliffs. As someone without a head for heights, I am not so sure I would want to stand on a balcony and look down – but I think looking across would show some marvelous scenery. Also, coming from earthquake country with unstable soil, my thoughts are, oops! – why did they build there? However, I expect things are far more stable than they are in my neck of the woods as this is an area where a bridge spanning a canyon 400 feet deep and completed in 1793 still stands.

So much to see in the south of Spain! To be continued!

A Touch of the Fauve in Cinque Terre

Cinque Terre is located in Liguria, in northwest Italy, and comprises 5 villages built into the steep cliffs along the coastline. You can find all sorts of articles, videos, photos about it, and to my thoughts it sounds like an incredible place to see. However, it is not something I will get to do next week, so I thought it would make a good painting study. The idea of living in a house, built on a cliff at the edge of the ocean – I don’t know, but it seems quite a fascinating way to live!

I was more interested in playing with the paint and experiencing how to use the Golden fluid acrylics than I was in making a finished work of art. I am finding I like them when they have dried a bit and become rather sticky but still maintain the consistency of cream. Opacity seems to improve as the paints become more viscous. This stickiness makes for some rather nice ways of creating color combinations – one on another – and texture. This is all play, and play is the best way to learn how to use something, I think. The plan is to continue and come up with an opinion about if I like them – I think I do, sometimes more than other times – as well as just exploring painting with them.

This painting was inspired by a photo taken offshore and looking landward. The houses cling to the cliffs, and if you look closely at the photo, you can see pathways and stairs leading from one area of houses to another. There were more outcroppings of rock in the photo than I have here, and I think it would have been a better painting to have included them. It looks like I have two rock columns madly in love, and having a good smooch! Despite that, I had fun playing with not just the colors, but ways in which to apply the paint – like rubbing it in with a paper towel in addition to a paint brush. Soft and hard brushes also have and impact, as does using a filbert, flat, or round brush. So much to learn . . .

Golden fluid acrylics, a bit of a fauvist or colorist approach, 15×20 paper.

Art with a Broken Arm

I signed up for two art classes at the local adult school, one in acrylic painting and one in Chinese calligraphy. The acrylic painting class I have to drop simply because I cannot carry an easel, paints, paper, and all the other supplies with me, but I can do the Chinese calligraphy class because the teacher supplies all the stuff and there’s very little that I need to bring to class! That’s great.

Consequently I thought, well, what can I do? I decided to try an online course in drawing buildings and learning from an architect of many years experience. I think this is going to be a really good lesson or group of lessons as I have never been good at drawing buildings and only through a lot of effort and learning about proportions and relationships have I been able to draw this one which is the preliminary drawing prior to any classes at all.

If I say so myself, I did a pretty good job on it and I am looking forward to seeing my progress in the future. There are a lot of tricks that I’m going to learn in this and I will be posting them perhaps as I go along.

And the class begins in 20 minutes!