Blitherings – Page 8 – Ink, Yarn & Beer

Morning Walk

I don’t know if I have published this image before . . . . I have a feeling I did, but cannot find it. Of course, with all the stuff I have here on IY&B, it makes sense.

I painted this a few years ago. I worked really hard to get soft tones and paints. I had been working mostly in acrylics when I picked up the oils and was used to the hardness I seem to produce with acrylics. So, with the blendability of oils, that was my focus of the exercise.

The results here have been sitting around for ages with the thought the painting could use a bit of work. Looking at it now, it seems finished enough. I am pleased with the moodiness and sense of a damp woodland as well as how you can tell it is a misty day by the colors of the sky through the trees.

Oils, 10×14 canvas panel.

In the Rockies

Another oil painting. I am not sure if I am done with it or not. A part of me thinks some more alpine plants may be needed or something. Not quite sure. It’s one of those paintings that has been hanging around for several months while I think on such exciting things. Maybe I’ll take it into class for an opinion from my teacher – she always gives good advice.

This has been an exceedingly challenging painting. Depth and dimensionality are my usual problems. The rocks are also hard to depict. I don’t want too much detail but I don’t want too little. I do like the mountains and sky in the distance – it it the foreground and the middle ground which are bugging me, as well as the V-shape of the overall composition. This is why I am thinking of a need for some extra vegetation.

Work in progress, oils, 16 x 20, cotton canvas panel.

La Bee on Rose (Colored Flower)

I haven’t done any photography in awhile other than a snap or two out of my window. Yesterday, off to the local botanical garden with a new photo buddy. It was really nice to get outdoors again to take pictures, to sit and look and savor all the details the end of summer brings, from the last of the summer flowers to the turning of the leaves.

First stop here was this little brushy bush with red flowers. I don’t recall the name of the plant, but there were bees everywhere (in case you haven’t figured that out!). I had a 24-200 Z mount lens on my Nikon Z6ii, so I had no real macro lens, but at 200mm, I could keep my distance and wait for a bee. I cropped the photo considerably to show the bee and flower. And then this morning I thought up this rather bad title.

Nikon Z6ii, Nikon Z mount 24-200mm lens.

Late Summer

A hot, humid day with rain coming or going. Summer is leaving, time soon to bring in the harvest. Late afternoon.

I am totally into lavender fields! The bright colors just make you happy, and when in contrast to the warm yellows and golds of other plants, how can you not but rejoice in nature?

Yeah, it sounds corny, but landscapes and the countryside, no matter where, just make me happy. It can be in gentle countryside like here, in the desert, in the mountains – all just touches me and brings a bit of peace.

Oils, 10×14, cotton canvas panel.

Poplars

I don’t know why, but I always thought these were called “plane trees,” but it turns out they are poplars. We don’t have them here in SoCal. The ones we do have that look similar – in the sense they are narrow trees that grow tall – can be a type of juniper or eucalyptus. I am really drawn to these trees because of their fine branches and leaves which change in the fall.

If you read my blitherings, you know that I am enrolled in an oil / acrylic painting class which meets weekly, and have been in it for several months. I chose oils as they can be worked on over several days with the paint remaining wet over a period of time. What I like about oils is they blend easily and a softness can be achieved (by me, at least) that I can never get when I use acrylics. In this painting, I worked on both simplification and abstraction of various elements of the painting as well as atmospheric perspective. I only considered this painting “finished” when I added some squiggles in the water to suggest movement.

Overall, I am pleased with my results. I have spent several months gazing at it. It never seemed done until those little squiggles showed up. Crazy, huh?

Oils, 12×16, cotton canvas panel