Blitherings – Page 160 – Ink, Yarn & Beer

Retro with Flamingos

Like I said, I have gotten the sewing bug. And a taste for a bit of nostalgia.

Yesterday, I went to a local Joann’s and came home with a couple of really fun prints to make up some shirts / blouses. The fact is, today it is almost impossible to find any 100% cotton blouses or short-sleeved shirts for women. Almost everything is either a knit, a slimy synthetic, or a cotton blended with 3-4% spandex. The latter is really uncomfortable as far as I am concerned because that little bit of spandex takes away all the breathability of pure cotton.

Flamingo Material

This flamingo pattern caught my eye. I am a sucker for wild Hawaiian prints, and really, the worse they are, the more fun. Here in California, prints like this are totally okay, but probably not for NYC in the dead of winter. There was only 1 yard and 19 inches left on the bolt, but I took it, and got a 50% discount as it was the end of the line. From my earlier days, I used to make shirts with only 1.5 yards, so I figured I could do it. And I did, but I have put on a few pounds since my youth, and really needed a bit more for an easy layout, and while I did get it, but the neck facing was scrimped a bit.

Flamingo Shirt Pattern

I rummaged through my patterns, and luckily, I found this one. Short sleeves, sorta Peter Pan collar, and five easy pieces.

Featherweight 222K and Flamingo Friend

In keeping with nostalgia, I decided to dig out the Singer Featherweight, a 222K with the open arm, reverse stitch, and droppable feed dogs. All straight stitch otherwise. I also decided to sew this without the use of attachments, except for the buttonholer (which is later, and with trepidation), and use techniques required of a straight-stitch machine.

Bias Tape on Facing

In some ways, I think this was actually a good choice. I always zigzag every piece before I sew it because I hate raw edges, but I could not do that with this project on this machine. In reality, I think it may be okay because the material is not constricted by the zigzagging. I did all my staystitching and edge stitching, and I clipped and layered the collar seams. In other words – I took my time!

Still a Great Book!

I also refreshed my sewing skills by pulling out The Reader’s Digest Complete Book of Sewing, a present from my father back in the 60s or so. Compared to more recent books on sewing, this is a real encyclopedia of information and technique; when I was younger, it was too tedious for my helter-skelter approach to sewing, but today, I really appreciated it. I read about facings and collars and edge stitching and stay stitching. I also read about using bias tape to finish edges, which I had thought about prior to the project, but learned that into a curve you do one thing, and out of a curve, you do another.

Pointing Collar Corner

One thing I didn’t learn in my sewing classes in school was that there is a technique to put a nice point on collar – take some thread on a needle, double knot, and once you have pulled most of the collar out, run the needle into the corner on the inside, and push it through the corner on the outside, tug, and cut. A very nice point is the result! Like I said, the Reader’s Digest book is full of good information!

Sleeves

The blouse is far from finished, but I am fairly satisfied with my progress. It was interesting to use a straight stitch machine that is belt driven. A couple of times, the machine didn’t like the thickness of the blouse, but with some encouragement, we got through it.

What remains to be sewn are the sleeves, side seams, hem, and making the buttonholes. I am not too sure how long that will take – it may not get looked at until next Friday, because some of my days are pretty long. In the meantime, I will re-read about setting in sleeves and other good things. Nothing like a sense of accomplishment – until I destroy it with badly done buttonholes. Buttonholes are my nemesis, and I need to practice them all the time.

Cause & Effect

The quilt show is to blame for my current focus. Looking at fabrics and looking at the wonderful handcrank machines got me to look at the machines I have strewn around the house. There is a treadle machine in the family / kitchen area. My mom’s old Viking (ca. 1965) – on which I learned to sew – is in the garage, along with a serger which terrifies me. In the bedroom closet are a couple of handcrank machines, a Singer 222K, and a Janome 1000.

The treadle machine and the handcrank machines came to mind quite quickly – they really are fun to use, peaceful and soothing, and not needing to be plugged in. The treadle was the first one to be pulled out. Because of the help I got with the bobbin at the quilt show, it was really easy to set it up and get to sewing.

My treadle is called “The Free,” and it is in remarkably good shape. I bought it on eBay several years ago; in fact, that is where I bought both my handcrank machines.

The treadle machine was rather dusty from a lack of use. I cleaned it up, dusted and oiled everything, popped in a bobbin, and threaded the machine. Off we went!

I have been using a stretchy spinning wheel band to drive it, but found that the band did not have enough width and / or torque to wind the bobbin, which is a long bobbin. I ordered a 3/16″ round band off eBay and installed it when it arrived.

Considering how old it is, this machine is still in beautiful shape. I’ve made clothes on it before, and now the urge to sew is hitting strong. The question is, which machine to use? Each has its advantages . . . but I’ll save that for another time.

At the Quilt Show

This past weekend was a two-day event, A Quilter’s Showcase, sponsored by the Conejo Valley Quilters, and held in the gym at California Lutheran University. I went Saturday afternoon, to get out of the house, and to find some way to ignore my cold. Of course, the main goal was to see the quilts!

Quilts are both works of art, and practical ways to use up small bits of material to make useful objects, such as bedclothes or pillow coverings. Over the years – probably from the 80s on – wall hangings and other forms of quilting have evolved. Not being a quilter does not mean I do not admire the skill, patience, and creativity involved in their making. I don’t know if I have the patience for them in particular – I need to be moving, not glued to a sewing table or indoors. Anyway, enough about me – let’s look at some of the offerings!

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First, the set up was really nice. Along the periphery of the gym were the vendors, mostly quilt stores, some local, some from further away. Everyone was really nice. Locally, we have Cotton & Chocolate Quilt Company. I liked their display, which was colorful – I especially liked the quilts hanging up.

Cotton & Chocolate

The inside portion of the gym was somewhat of a labyrinth. Individual quilts were hung up, like paintings on a wall. Clothespins attached to the side of the quilt allowed the viewer to peer at the reverse of the quilt by using it as a handle – a good idea to keep quilts clean, and to satisfy the curious. There were a variety of quilts, from pictorial to traditional, most new, but some from the 1800s and 1900s.

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The vendors were mostly quilt stores, but you do need machines and thread and needles besides material to quilt. Businesses selling sewing machines were there – I didn’t see my favorite store, Art & Jenny’s from Ventura there – but there were plenty of other local businesses with great machines and friendly, knowledgable staff. My favorite featured hand crank sewing machines, and quite a few of them.

_DSC4604 This store is called Sew Cranky, and as you can see in the above picture, they had oodles. If I didn’t have a couple of hand crank sewing machines of my own, I would have gotten one. If you have never used a hand crank machine, it is very peaceful – no long electrical cords, slow motion, and you can take it outdoors, even if it does weigh a ton. The decals are wonderful, and the click-click sound of the shuttle is soothing. Treadle sewing machines are just as nice, but a bit less portable. And, they do have attachments which compensate for the straight-stitch only of many older machines.

Communities, such as the Conejo Valley Quilters, connect people to arts and crafts, to resources, and open one up to the variety and talent found within one’s own neighborhood. Their value may seem neglible, but in reality, our own lives become enriched from such venues, much more than we can appreciate in the moment.

A Pause Between Seasons

Woodland

Fall is coming; you can feel it: the air is cooler, the light is more gentle. Where trees lose their leaves, the season can be filled with color. Here, where I live, the color change is not so apparent. From summer on, the hills can become very brown, and the plants are adapted to dry climates. Colors do not tend to be riotous.

Puzzle

Nonetheless, there are subtle changes. Some leaves change colors gradually, an orange one here and there, turning brown, and falling off one at a time.

Tulip Tree Signed

Occasionally, one finds trees which are spectacular, such as the tulip tree in my front yard – it is a brilliant orange and yellow display with a suddenly naked tree.

Flower & Fruit

Other plants bear fruit, while they continue to flower. And others drop their flowers before they drop their leaves.

Fallen Flowers

Suburban southern California is home to both native plants, and plants from all over the world, but each plant has its season to grow and reproduce. The beauty of nature is found if one takes the time to look.

The Nikon V1 and 32mm f1.2 Lens for Botanical Photography

Multiple reasons routed me to the Nikon 1 system. A DSLR with a big lens is heavy, so when the Nikon 1 system first came out, I looked, but did not like the initial prices, nor the lack of lenses. Also, I wasn’t too sure if it would be successful enough to invest in.

Time passed. When the V1 dropped significantly in price, I looked again. Seeing images shot by Steve, by Craig Litton, Joe Marquez, Sue Wotton and others at Steve Huff Photo pushed me to look at it. Finally I bought it. Since then, I’ve added lenses to the bag, but when the 32mm f1.2 was announced, I was seriously interested, and bought one when I could catch it in stock.

There is no one area of photography I prefer, but flowers have always given me a great deal of pleasure, especially wildflowers. As it is late in the summer, nearly all our wildflowers are gone in the heat of Southern California, but locally we have some rather lovely gardens with flowers in bloom. When I finally had some time to test out the 32mm lens, at f1.2 to f1.6, I shot a series of flowers and leaves, using both the auto and manual focus.

The beauty of the lens is the ability to isolate a flower from either background or foreground. Bokeh varies with what lies in front and behind of the subject, and with the 32mm f1.2, it varies in quality. It can be rather nervous when leaves in the background are small and fine. Other times, distance or background blur beautiful, creating an element of serenity. Color, contrast, and detail are well rendered. The three pictures below show how the manual focus allows for choosing one’s focal area, and show how the foreground, middle ground, and distance can be chosen. Click on them to see full detail.

Altogether, I am very pleased with the ability of the Nikon V1 and the 32mm for taking pictures of flowers and other plants. Some post-processing can add to the beauty of an image, but even just out of the camera, most images are pleasing and need little work.

Dahlia