A Painted Cat

A couple of months ago I took an oil painting class with a very good teacher at the local adult school. He won’t be back until fall, sadly, but I do have another class I am attending and which is also taught by another good teacher.

This cat is one of the assignments we had in the class, a photo provided by him to copy. For me, it was a challenge, but more than anything I wanted to use colors to provide contrast in color and value. This is not something I do easily, but I did accomplish it! Part of it was I just was not going to let the subject matter trap me into copying the photo completely.

I finished this cat up last week – it’s in oil and has been drying – and could get the shape of the cat’s nose when the new teacher reminded me that using a negative shape to create a positive one helps a lot!

And so it does – my chin and nose area were more along the lines of the proportions seen in Egyptian statues of Anubis and Bastet – a narrow mandibular area, and one a bit elongated.

I will say that I am really pleased with this painting. There are a few tweaks I need to do to clean up a couple of areas, but that is something done in a couple of minutes. Painting an animal is something I have never done, and it really was intimidating. Doing it helped me appreciate just the different brushes I could use, such as a rather beat up bristle to create a sense of fur, and a soft, pointed one to create the whiskers. Patience is also becoming more comfortable than not, and this lets me take time to work on this painting at the right time. I also work on other paintings, too, while this one or that one awaits my talents.

16 x 20 (or 11 x 14?) cotton canvas on board, oil paints.

Memories of Spring, Thoughts of Summer

For me, lilies of the valley are spring flowers – late spring, for sure, but spring nonetheless. They are not native to California and certainly cannot survive the heat we get, but you can grow them in cool areas. Short-lived, they add a bit of beauty and mark the transition into summer.

Today is cool and grey – May Grey for California! – but it will warm up later on. The sun will come out inland – we live one valley in from the Pacific – but may not show itself along the coastline. Our spring has been wet and gloomy with bits of sunshine in between, but as we move toward summer, heat and watermelon and cold drinks come to mind. (Meanwhile, I am enjoying my hot morning coffee!)

Seasonal transitions – things to say goodbye to, things to welcome. I myself have been in a phase of transition, too. I am learning to play the ukulele, working on oil painting sewing, gardening. All of these take time away from blogging, which is rather nice, really. Still, the fact is that ink and watercolor, individually or together, always beckon, so before I even started the day, my sketchbook came out, colors and ink. It all makes for a good way to start the day, beating dishes and laundry and other housework by a good ten miles!

Last Day of April – Morning Sketches

The last few days have been the quintessential spring days in Southern California – and I have been outside, but never enough. I planted some tomatoes and cleaned up some plants in the patio garden, basked in the sun, and have done very little. Today, though, pen and watercolor beckoned with the morning coffee, and the colors of spring and the outdoors called.

Grape hyacinths are so odd to me! I am used to the big ones, in pinks and blues and flower petals which curl outward. Grape hyacinths make me think of little bells. This is the first year I have ever grown them, and short-lived as they were, they were so much fun to see. Bulbs always make me happy, and I have a variety of them, such as iris, ixia, daffodils. Bulbs need to be hybridized for our warm California winters, so they are not so rare as they used to be, but never seem as exciting as they do when they flower in a patch of snow.

I was poring over some photos I have, taken by me or collected through Pixabay and other free online royalty sources. Palm trees and banana plants. I did this to practice dry brush on a wedge brush – nothing great but it accomplished what I wanted – a soft bit of blending, such as in the foreground.

Once more lavender fields in Provence and other areas of southern France. In particular, mixing lavender that is bluish is a challenge; here, in watercolor, I diluted my purples with some blue and rose, as well as some greenish colors to suggest the lavender’s foliage. The scan didn’t do a great job. Additionally, I wanted to capture the texture in the rocky faces of the mountain, cracks vertically and horizontally in the bare stone.

Finally, a favorite place of mine – Figueroa Mountain in Santa Barbara County. In the spring, lupines and poppies bloom, and the view across the Santa Ynez Valley extends for miles. To me, this is the epitome of a wonderful time of year in California. It is when the rains turn the hills from brown and dull to an intense display of yellow, gold, and purple.

Drawing with ink and watercolor is pleasant and relaxing, and doing it in a sketchbook takes away the desire to create a masterpiece. Here, exploration, play, practice.

Carbon ink on watercolor paper; Rosa pan watercolors.