The Road into Town

Today I put together a new watercolor paint palette, adding some colors I normally don’t have on my main palette, as well as adding ones back that didn’t make it into the first one. This palette forces me to work harder to get greens as I don’t have phthalo green, sap green, or Hooker’s on it as “primary” greens; instead, I have viridian, which is not one I have been fond of in the past. However, it works nicely with cadmium lemon and aureolin to make those crazy spring greens I like. I also added manganese blue, verditer blue, and phthalo blue (green shade). I don’t have any yellow ochre or quinacridone colors, but do have Davy’s Grey and Peach Black. In the red arena I added transparent red oxide in place of light red, and cadmium orange as well. All of the earth tones – burnt and raw sienna and umber – are on this palette.

The result is looking to be a brighter series of colors to work with, at least that is my impression. I tried to use nearly every color in the palette on some level in this painting to see what would happen. As it was, I didn’t use every color! Too many!

The subject matter was also something that I wanted to work on – a small town with a few buildings at the base of a mountain range, and the goal was to have a road leading in to it, sloping down hill, and conveying a bit of depth. It’s a busy scene, one from my travels over the years that I caught on camera. Depth is not easy for me, so I used shadows across the road and landscape to catch a bit of it.

First watercolor of the New Year, and started with a New Year Palette!

“But What if We Didn’t?” – Why Enmity and Outrage is the New Normal

I came across this posting via Jim Grey’s Recommended Reading column for today  He linked to John Scalzi’s post entitled “But What if We Didn’t?” – and that has cleared the confusion as to why the American Congress has gone from attempting to work together to tearing each other apart.

When Ronald Reagan was President, he and Tip O’Neillc ould get along.

Now?

I will leave you to ponder what Scalzi writes – and strongly suggest you Scalzi’s post in its entirety by clicking on the link above or anywhere on the quotation below:

I have a theory about the Republican Party, and it is that around the time Newt Gingrich became the head of its brain trust, the GOP added a fourth functioning principle to its previous tripod of “Southern Strategy to corner the racist vote,” “Abortion to corner the Evangelical vote” and “Tax cuts to corner the capitalist vote (and money).” The fourth principle was not about kettling and controlling a voting bloc, but rather a principle to maximize its power and to motivate the voting blocs beyond whatever the GOP could offer them politically.

That fourth principle, to put it in its shortest and bluntest form, is:

“But what if we… didn’t?”

Somewhat more broadly, the Republicans recognized there was a suite of political conventions and traditions that were designed to make it easier for things to get done, and that this suite of conventions and traditions were exploitable by denial. While people in both parties (and the parties themselves) would occasionally use this exploit, it was not done systematically.

 

From the Roadside

How many times I have driven through the wild country of the US, stopped on the roadside just to gaze at the land around me? When I lived in Colorado, I did this whenever I could. I do it here, too, in California, and whenever we take a driving trip through wild and lonesome country. Life here can be harsh and isolated, but can you imagine yourself on horseback (I do!) and slowly traversing these wild and open places?

More winter, more gouache. A limited palette of white, phthalo blue and green, ultramarine blue, a bit of red, and black and purple.

It’s Winter

It’s a pleasantly warm day today – bare feet and a nap on the patio kind of pleasant day. Still, I long for cold and gloomy weather, real winter weather. I know, I know – if I was living in the middle of it, I would think differently.

That said, a gouache in a more painterly manner than pointillism, up in the mountains somewhere, looking on to the distant dusting of snow. Gloom. Snow. Cold. Yeah! Don’t go wading in the river, either! Just enjoy it, and then return home to hot cider and a fire.

Rain at Cattle Point

Hopefully this conveys a fickle weather day late in the year!

I think the dot-dot-dot and color isolation with Pointillism helped with this watercolor.  I was very aware of color placement and capable of containing colors to certain areas.  I managed, too, to have patience and let areas dry before going back in, or let them get slightly damp for dryer painting onto a damper area, preventing blooms.   Proportions are off – sigh.

As well, a limited palette of primarily blue (ultramarine and cobalt) with burnt umber and burnt sienna, yellow ochre, and a spot of orange and Hooker’s green.  140# CP Arches, 16×20.