Morning Sketch 3 – Winter sun

Nothing great . . . 6×9 on Strathmore Vision 140# paper.

What is the purpose of this sketch? First, trying to lead the eye to the two trees on the opposite river bank. Second, trying to reflect warm and cool light on the snow and ice of the river.

Problems? Paper is not great, but good for these kind of studies. Also using different paints – Schmincke pan paints, which are more saturated than the travel paints I used the past two days. And, as always, my sense of perspective is off. I am not quite sure why and it really bugs me!! Oh, well, perhaps one day I will find the answer to that problem.

Thinking about the atmospheric perspective, it seemed I needed softer edges in the distance. So, I wet the paper, blurred it a bit, and smeared a light mess of a blue-grey to give some distance. Then I took the painting into LR and decided to adjust the vertical perspective a bit, tilting the picture back a bit, and then doing a “smart fill” in the areas left white by that adjustment.

Don’t know if it improved the picture, but I think it might have as I often feel as if I am falling into my painting from above – sort of like a bad dream.

Somewhere in the Mountains

I went to Pixabay looking for snow and shadows and cold weather. The painting is of the photo below, done in gouache, 7×10.

The challenge here is depth of field – details – not too many details – simplification – and most fun of all, the shadows on the snow. I really enjoyed looking at the photo, imagining myself in it, and wondering where it is I am. In the photo, the white snow on the bare tree branches is really easy to see, but with gouache I always find my whites are never bright enough. Always interesting to compare a photo to a painting!

Skating Pond

I was never any good at skating, but I did try it out a lot when I was a kid. We moved from a really cold place in the midwest to a warmer climate on the east coast, leaving rural farmland with ponds and lakes for a bit of suburbia in New Jersey. Every year the neighbors would get together and scrape the snow off the nearby lake, test the ice, and create a skating pond. We were never allowed to go by ourselves because of the chance of falling through the ice, but it seems there was always a dad or mom to supervise a dozen kids in snow suits, wipe away our tears, keep us generally under control.

Watercolor, 9×12, 140# CP ArtBeek paper.

Tracks Across the Fields

I do love the bleak look of winter. With watercolor, a limited palette of 3 or 4 colors can express so much. Admittedly I used more, but I usually like alizarin, ultramarine, burnt sienna, and Hooker’s green for the colder time of the year.

Following through on points for some of the classes I have been taking, I am working to simplify subject matter, colors, and lead the eye. I think I managed to do this here, leading through the fields to the houses on the hilly horizon. I tried to contrast warm and cool colors, with a bit of warm on the buildings with the hope it will draw the viewer in. I also used wet in wet and dry brush, working from general shapes to more specifics; light to dark in general.

In addition to the painting, I am trying to make myself do a preliminary drawing before I touch brush to paint to paper. I did this one today. Lesson – it is actually worth the time, and I have been a silly bunt not to take on this fine habit sooner!

Watercolor, 9×12 CP Extra White Fabriano Artistico 100% cotton paper.