Retrospective Introspection

Admittedly I have been feeling rather sorry for myself.  I get like this when I have no time to sit down and think about life and what I want to do with it.  Thursday I walked into my office at work and was just unable to make choices as to what to pursue next.  Oh, there were a lot of things to be done, but it seemed just so overwhelming and the mere act of choosing what to do was impossible.   The best thing to do in these circumstances – for me, at least – is to sit down with paper and pen and begin to write.  Five pages later, the world was in order once more.

Writing is therapeutic.  It’s like the pensieve of the Harry Potter stories.  I pull out thoughts and ideas and frustrations, and when they are all placed onto paper, there is structure found amidst the chaos.

Painting is much the same process as writing; however, I often feel pulled into different directions.  I never focus on one style.  The consistent factor is my use of water-soluble media and paper, but other than that, I don’t have a particular style.  Consequently, I am not as accomplished as I would like to be in watercolor.  I like many of my ink paintings and the simpler watercolors that are based on sumi-e.  Traditional watercolors are often disastrous failures.  Acrylic paints are not my favorite medium, but there are times when I have used them to create more graphic pictures.

Today, I went through my hard drive to look at some of the paintings I have scanned or photographed over the past year or two, and pulled out some which appealed to me for whatever reason – sort of a retrospective of the work of the last few years.  Here they are, not in any particular order, but just for me and anyone who wants to look at them to see and consider.

Painting Wheat in Sumi-e

Fields of wheat are found throughout the world, and it is a grain of significant nutritional importance to many populations. Technically a grass, wheat originated in the middle east, and was the agricultural foundation for a number of early civilizations.

As a subject to paint in sumi-e, it provides a number of interesting lines and planes.  Using a diagram of the plant, pictures of wheat found on the web, and dried grasses for arrangements, there are many resources for the artist.  I’ve used a combination of all three as references.

Painting Wheat

The first area to be painted is the seed head. It weights down the plant, and gives a graceful direction to the subject. By painting these first, the focal points of the picture may be chosen. As wheat rests on a top of a tall stem, consideration should be given to the composition – is the wheat going to be upright and tall, or bending over in a graceful curve?

The seeds are painted dark to light, with the ink on the brush being used until gone. Next, the stem and the beard may be painted. The beard is lightly done, with quick graceful strokes. The stem may be created with a pause and pressure at the beginning of the stroke, before continuing on and completing the stem in one movement.

The leaves are done at the end, using the side-brush stroke in combination with vertical strokes which change direction and pressure for character. Finally, the veins of the leaves are done in medium-to-dark ink.

My own wheat is rather amateurish in execution, but that is how one learns. Many sumi artists and calligraphers will practice a subject over and over until the right combination is reached, and the seemingly effortless execution of a painting is done.