Deep Winter

The Great Plains stretch from Canada south to the tip of Texas and into Mexico. It is essentially a high plateau of prairies and grasslands, a vast flat country swept by winds. The Rocky Mountains form the western border and the woodlands of the midwest form the eastern edge. Tornados are not uncommon, and unpredictable weather is the norm. Rain is sparse, increasing as the plains roll eastward.

When we moved to California from New York, we drove across the plains in the dead of winter. Often the weather was windy and the air was frosty and misty. Stubble fields were seen, with remnants of corn or wheat pushing through the snow. It can be very desolate and lonely, but indescribably beautiful in a rather terrifying way.

Here I have tried to catch that loneliness. I used a limited palette for the most part consisting of cerulean, lemon yellow, and alizarin. Payne’s grey and burnt sienna helped with the darker areas. Patience was needed here, from applying the very thin washes and letting them dry, to carefully considering how paint the wooden buildings. I painted on it throughout this morning and early afternoon, in between exciting stuff like dishes and laundry!

Bockingford 140# CP paper, 16×20, watercolors.

Along the River

This painting is based upon a pubic domain photo by Natividad Chavez of the BLM (Bureau of Land Management) taken at the Cronan Ranch Regional Trails Park in Pilot Hill, CA. Northern California has some absolutely beautiful landscapes. As well, the BLM showcases some truly magical parts of the country, areas both easy to get to and others quite remote, requiring hours to reach.

What I liked about the scene was the curve of the water and the people standing on the river’s shore beneath the trees. While my execution of the light was not what I wanted, I am rather pleased with other parts of it. And, it has people in it!

Millford paper, 140# CP, 16×20, watercolor.

Spring at the Settling Ponds

There are some days where chaos is the daily menu and you just have to flow with it. I had an appointment in the morning so I could go to my painting class in the afternoon. Well, that appointment turned into a hurry-up-and-wait-for-a-phone-call situation. Solution? Watercolor!

This painting is loosely based on a photograph I took while out at the settling ponds in Ventura. In California, “Spring” happens after any rainstorm. The brown grasses green, trees bud, flowers bloom. It’s the nature of the beast. We had rain yesterday and have another big storm coming in next week. In the days before my visit to the settling ponds, we had a lot of rain, and the result is this lovely little bit of trees and grass. Hard to believe this is within walking distance to the beach!

Gentle Spring

I did a bit of post in LR on the photo, but it does catch the sense of Spring, I think.

Watercolor, Millford paper, 9×12.

Capitol Reef #1 – Meeden / BaoHong Paper

I am always trying to find economical and superb 100% cotton watercolor paper. This one is really good! Fraggle said she likes Meeden paper, so off to Amazon I went and ordered this 100% cotton paper. Though advertised as 9×12 inches, it measures 12.2×8.3 inches per the cover of the block. I don’t really like blocks, but the I think the paper may be worth that irritation.

This is the paper I ordered (click to get to link). It is the weight and texture I prefer: CP, 140#. Painting on it was a pleasure. Color absorbed nicely and didn’t create any weird textures. Absorption rate was reasonable. It held up to washes and glazes on multiple levels. Working wet-in-wet was easy to do.

Capitol Reef National Park is located in central Utah and is characterized by red rock and sandstone. Canyons and arches are some of its characteristics. As it is desert, the vegetation is sparse and dots the landscape. It is a stunning bit of country – Utah has some of the most beautiful parks! – as well as a place with a fascinating history, from prehistoric times to modern day settlers. Definitely worth a trip!

Watercolor, about 8×12 inches, Meeden / BaoHong 100% cotton paper, CP, 140#.