Beach at Saint-Malo

Remember the story All the Light We Cannot See? Ever since, the city has intrigued me. The story is worth reading, and if I remember, the movie was decent as well.

This painting was a quick one, and it turned out pretty good in my opinion. The point was to just paint, as well as to try out a new-to-me watercolor paper. This paper is St. Cuthberts Mill’s Bockingford paper. It seems to be a fairly soft paper as the tape around the edges of the painting pulled up some of the paper even though the tape was on the paper itself for only a short time. Using the heat of a hair dryer solved this problem, like it usually does. I liked this paper, though it does buckle a bit more than I expected when wet, but in the end it has proven to be well behaved.

Initially I scanned this painting on my Epson V600 scanner using the Epson software. Contrast was harsh and the sky barely showed up. I have had issues with watercolors and the software before – not at all pleasant to see – and then I suddenly remembered I have VueScan by Hamrick. I closed out the Epson software and fired up VueScan – and, oh, what a beautiful difference! This software is something I bought years ago, and I never really thought about using it for watercolors – I use it for photos I plan to run through Negative Lab Pro. Well, I guess I will have another use for it as well! Sheesh.

Watercolor, St. Cuthberts Mill Bockingford, 12 x 16, CP 140#.

21-24 / 30

I am getting burnt out on these drawings! I decided to take a few days off and will pick up again tomorrow. Since I have committed to 30, I only 6 more to go by 4/17. I think I can handle that!

Day 21

Cannon Beach, Oregon. Figure is too big, some foot prints too dark and too big in the distance.

Day 22

Initially I had drawn this shack so that the beach and waves in the distance were parallel to the edge of the paper. After scanning it, I realized it looked better with a bit of an angle to it. Interestingly, a comment said it made no sense because the ocean is out there, straight ahead. Obviously, too realistic of a person, or someone who hasn’t taken a photo. Really, to me, a very interesting and odd comment and viewpoint!

Day 23

Here is a scene of looking down onto a beach. The distant cliffs look okay, but the descent to the shore in the midground is definitely confusing.

Day 24

During last Saturday’s zoom meeting, Ian talked about cross hatching. I use it a lot in ink drawing, but not in pencil since the idea for a lot of this 30-day challenge is to limit marks to horizontal and vertical. The idea is to create value studies, not finished drawings. Interesting lines do not make for good value studies of light, medium, dark. However, a simple use of lines, cross hatching, vertical, diagonal, horizontal, helps delineate shapes, such as curves. I based this drawing off a study of 3 pears by Cezanne.

Commentary

These studies are making more sense and getting easier to execute so that shapes have shape, even if not always understandable.