Poplars

I don’t know why, but I always thought these were called “plane trees,” but it turns out they are poplars. We don’t have them here in SoCal. The ones we do have that look similar – in the sense they are narrow trees that grow tall – can be a type of juniper or eucalyptus. I am really drawn to these trees because of their fine branches and leaves which change in the fall.

If you read my blitherings, you know that I am enrolled in an oil / acrylic painting class which meets weekly, and have been in it for several months. I chose oils as they can be worked on over several days with the paint remaining wet over a period of time. What I like about oils is they blend easily and a softness can be achieved (by me, at least) that I can never get when I use acrylics. In this painting, I worked on both simplification and abstraction of various elements of the painting as well as atmospheric perspective. I only considered this painting “finished” when I added some squiggles in the water to suggest movement.

Overall, I am pleased with my results. I have spent several months gazing at it. It never seemed done until those little squiggles showed up. Crazy, huh?

Oils, 12×16, cotton canvas panel

A Bow to Loiseau

Not too long ago a painting done by Gustave Loiseau called Les Peupliers (The Poplars), ca 1898, caught my eye. I really liked the composition, colors, and overall atmosphere – a bright, sunny, breezy day in the countryside. I will leave it to find it based on my rendition of Loiseau’s lovely painting.

As with yesterday’s painting, this is done in gouache on Strathmore Vision paper. I painted in the underlying colors with an angle brush and then used a finely pointed round to do the remainder of the work.

Gouache is, to me, a rather strange paint, but one which I really enjoy using. The colors always strike me as a bit unreal, but not necessarily in a bad way. They always seem to end up rather cheery, even when I use them to create a rather monochrome or dull scene. It can be used really thin, as a wash, as well as thicker – it all depends on the amount of water you add to it. It is designed to be opaque, but its opacity depends on how much water you add. I think I am on a bit of a gouache streak as I have at least another painting to show you . . . .

Strathmore Vision 140# CP watercolor paper, gouache, 9×12.