For the past 4 weeks I have been taking a short course in oil painting – we have not laid a bit of oil on canvas in this entire time period! Instead, we have learned so much about color – theory and real world (too complex for here) – contrast, tone, value, intensity, neutrality, and so on and so forth. Finally, in the last 30 minutes we finally got a painting demonstration of painting values on a pear. Some people painted along, but I just watched the instructor.
First thing, we mixed a dark value of burnt umber and ultramarine blue. Then we made a middle value grey by mixing in some white, and then the lightest value by adding even more white to the middle grey. After that, we used cad red light, cad yellow light, and yellow ochre, doing the same to each, but for the middle and darkest values, we added some of the middle and dark greys to darken and tone. I was really surprised to see the beautiful green the middle grey made when added to the yellow ochre, and I absolutely hated the cad yellow light’s greenish cast. Ugh. I rolled out cad yellow deep instead as it was much warmer and orange-ish.
The photo we used was blurred a bit, and then a notan (the rendering of an image into values of white through black, with shades of grey in between – in other words, a grey scale of the image) of the same was printed onto a piece of paper. We painted our values onto this paper, using the methods described above. Some people just kept their areas as values of color, but it made me a bit nuts, so I blurred mine together. The result was much more to my liking but more challenging, too. I made a lot of messes and lost my values quite often along the way.
Our teacher, Harvey, is really good. I have another 8 week session starting in a couple of weeks and I think it will be a good adjunct to a 4 week private class with him starting mid-March. Harvey is not just an artist, he is also an experienced art teacher as he has taught high school art for many years. Experience as a teacher is showing here – he is articulate, logical, and clear. No complaints, and I feel fortunate to have made his acquaintance – I like him, too, as a person, and that adds to the enjoyment of a class.
Oil on paper, about 5×7, value study of a pear. Colors used are titanium white, ultramarine blue, burnt umber, cad yellows and red, yellow ochre.












