Tag: Painting

The Last Day of the Year

2023 has been a strange year for me. In many ways it has been productive in creativity as I have seen advances in skills I have been focused on. In other ways it has been limiting, too, when focus is more in one area than another. I am the kind of person who is interested in too many things but who does not seem to excel at any one thing in particular. That can get pretty frustrating.

And then there was The Fall. Breaking my left arm was pretty traumatic in a lot of ways. The esposo is still trying to recover from it because the vacation we had looked forward to, one of relaxing and traveling and visiting new places and seeing old friends, turned into several weeks of taking care of me and schlepping me here and there. His time off never really happened, so there is the mental and emotional repression that ultimately does no one any good. He has taken the next few weeks off, and I hope that will help ease things and take off pressures which are there. At least I can get here and there on my own, although we both fear another fall. I have broken 3 bones in the last 5 years because of falls.

As far as myself, I am really bored with my ongoing fear of falling, and the self-assignment for the next several weeks is to watch YouTube videos about balance and strengthening muscles, taking a “How to Walk” class if possible, and moving into forcing myself to do things that frighten me. I have a dislike of being out of shape and incapable of independence so hopefully this will motivate me into a more active approach to these things. For the first time in my life I have felt old, and normally I am emotionally and intellectually about 12 . . .

Creativity, too, needs some sort of order! I keep saying “schedule yourself” - and by this I mean making deliberate choices for time to do all the different things which interest me. Let’s see what happens! I want to do more photography, travel, sewing, knitting, gardening, and of course drawing, painting, learning. My own personality is set toward doing the daily chores and drudgery before having fun, and that is okay as it weighs me down if I know a pile of something needs to be done. 

For example, since August, I have not really addressed paperwork as I usually do, and that is because my daily life was filled with exercises, occupational therapy appointments, dental appointment, doctor appointments, and home health care appointments. Yesterday, I pulled out all the things I needed to sort through. I sorted them and shredded until the 20+ year old shredder up and died. (New one arrives today.) I logged expenses and so on. Fortunately, it wasn’t a horrible process as I have kept up with the daily stuff quite well, but the paper stuff needed sorting and discarding. It feels good to have that done before 2024 shows up! And I have a bog full of papers still needing shredding, so I can practice on the new shredder, and see if it works. What fun!

And so, it is New Year’s Eve. We will be going to the Descanso Gardens to enjoy the Enchanted Forest of Light. We did it a few years ago, and I thought it a lovely way to end a year. I hope that 2024 is not as rough, and realistically, while tough in many ways for my immediate circle, it is far easier and pleasant than it has been for many. I hope that changes, but sadly, I do not think it will.

Winter Farm on Christmas Eve

Now to the northern part of the continent . . . somewhere in North America for winter on the a prairie farm, snow covering field stubble, early evening or morning. Cold, desolate, and heartbreakingly beautiful.

I spent the morning painting this on rough 300# natural white Kilimanjaro. I did it in stages. The sketch was light, with suggestions of shapes. Then the sky was wet and yellow, quin gold, and permanent alizarin crimson used to create the rosy golds. Once down, cobalt blue and ultramarine were placed to simulate sky being careful not to merge into the rose gold of the central cloud. As the sky dried, purple and alizarin were mixed with ultramarine to create the darker clouds. 

After the clouds were laid in, I did the dark trees, blurring some green into the still damp sky, as well as waiting for the sky and soft trees to dry. This was done to create the hard edges needed for the buildings against the tree line. The buildings themselves were left white as the trees dried.

From there, the snowy field was laid in with cobalt and ultramarine in a very light wash and using a 2″ soft brush. Again, drying. At one point, the 2″ brush was dried and dipped into lightly damp burnt umber and applied to make the streaks of brown for field stubble near and far. Then the buildings were done, and once the snow dried, more thin washes as glazes applied to the foreground snow, culminating in a streak of quin gold and then permanent alizarin to the middle of the painting, hoping to show a sense of light reflected in the still dark snow from the breaking clouds above.

After that, details such as dried grasses, windows, tree trunks and whatever were added as deemed necessary.

I am pleased with this painting quite a bit! It achieves what I set out to do – a winter scene, snow, clouds, and patience to wait and think about a painting before just diving in with brush and color. The 300# rough Kilimanjaro is 11×14 and a wonderful paper to paint on. More is needed in the future for sure.

On the Road to Somewhere

….via plane and ship!

In between everything and all the organizing and deciding and packing and griping and whining and worrying and daily stuff, I did manage to start a painting. It’s on a bit of 14×18 inch Fredrix canvas, taped to coroplast, and on the easel. It has been through multiple iterations since its inception, and still has a way to go. I will finish when we return, and I am sure I will see it all with fresh eyes.

This is not a great picture – a photograph rather than a scan – but it does show where it now stands. I thought a painting of a road and building might be fun to do. I still need to put in windows and work a bit on the middle area where the two pinky curvy bits of architecture are, as well as some of the leafy trees on the left. The photo makes it a bit askew, but the roof lines are actually straighter in the painting.

I usually work in watercolor, and that is usually a more immediate event than returning to a painting daily for a few hours. In fact, it is an altogether new experience for this impatient person, and I am finding I rather like the time I have to come and go with a painting. Having it on an easel to look at all the time is also a new experience. It let’s me look at it and review it from where I sit in the studio, typing away about it or other things. I wonder how this newfound taste and appreciation for time and painting will play out on our trip.

Golden Fluid Acrylics, 14×18 Fredrix canvas.

Lavender #2 – Stage 2

With a hurricane, what else can you do beside bake bread and listen to music and watch TV or read a book?

Paint, of course!

Below is Stage 2 of my Lavender #2 of yesterday. I worked on brushwork, details, and all those other lovely things. It is still mounted on the coroplast and taped down, but I like to see what I have by importing the image into Lightroom and then adding a frame. It does help me see things.

I am not too sure where I am at with this painting – I rather like it, but it is a bit more fiddly than I want it to be. I tend to dab – other people I know tend to use short vertical strokes. What I would like to see is an effective stroke, simple, long or short, in my own work. Not easy to do . . .

The rain is falling with a soft sound – the air is cool – and the birds outside the studio window are twittering away. Time to get away from the lights and the lavender and enjoy the peacefulness of the day.

Dancing Shoes

Today’s painting was smooshed in between this and that, but it was fun! It took a bit to think about what to do, but I finally figured it out. Sketching in fluid acrylic paint on paper was the goal, just to play and see how it all worked out. This way I could experiment a bit, not be “serious”, and explore how the fluid acrylics would react on paper other than my usual 140# CP Arches which I like a lot.

This is the first one I did, referring to a photo off Pixabay. I used 140# Arches Hot Press Paper – it is very smooth compared to the CP, having practically no tooth to catch the paint. I used the paint straight out of the bottle and painted once I did a quick pencil sketch. This rather rough kind of sketching with a few outlines has always appealed to me – partly because I can never get too perfect in anything I do – it just doesn’t work!

The second painting was done on grey toned sketch paper. Again, it is a smooth paper, but it does have a bit more tooth than the HP. Consequently there was bit of a different approach needed. A pencil sketch, then paint. I used a lot of zinc white to create some of the painting, using it as a glaze to tone down some areas where the color was stronger than I wanted. That was a good bit of learning, and a good bit of fun, too!

And now, it is time to sign off!