Rainy Night, Snowy Night

Pixabay is a wonderful source for photos for painting subjects. Resources like this allow you – the artist or whoever – to explore worlds new to you. I, for one, doubt I shall ever visit a city with yellow trams unless I travel far from my current stomping grounds. This painting is derived from one such photo.

In the afternoon of one of my classes, I had about 20 minutes left to paint. The one I was working on was done to the point I could not go any further. It still needs to be finished while I try to figure out how to do the people in it.

I laid in an essential outline and some basic colors in those remaining 20 minutes and set it aside for the next class period, which is about 2.5 hours in length. I also decided to do it alla prima – finish it all at once. And, I did. Over the past few days I worked on some refinements, but very little.

The only thing I think I want to do a bit differently is the headlamp on the tram – make the white brighter and colder. To achieve this, I probably will use a cold blue mixed with titanium white.

Pretty pleased with this one!

Oil on 11×14 canvas panel.

Rio Chama

The Rio Chama is a branch of the Rio Grande River in New Mexico. It flows through the Chama River Canyon Wilderness and is managed by the Bureau of Land Management (BLM). Country like this is public land, subject to the rules and regulations to help preserve it, but also vulnerable to the whims and politics of the times. It is host to a variety of wild life and the beauty of the American Southwest.

Oil, 11×14, cotton canvas panel.

Lucious Loquats

I love loquats! They are an odd fruit to most Americans, but they have a mild taste, beautiful seeds, and are borne on bushes or trees with glossy leaves. Over time, I have taken many photos of them and painted or drawn them.

I don’t remember where or when I took this photo, but it really shows the loquat in its full beauty. The fruits are pale yellow to a more deeper orangish color.

This is my most recent rendition of loquats, done in oil on a 12×12 canvas panel.

Above is one done in pen, ink, and watercolors.

And the above is done in gouache.

The round shapes against pointy, glossy leaves is always a pleasure for the eye.

Gouache, oils, watercolor, pen and ink on various surfaces.

Pair and a Half

Pear season is here! I think that says it all. So many to choose from, but my favorites are Bosc and d’Anjou.

This is the original orientation of Pair and a Half, but rotating it showed me this one looked pretty nice, too.

I sort of like the second one the best. What about you?

Oil on cotton canvas panel, 10×10. Or maybe 12×12?

Morning Walk

I don’t know if I have published this image before . . . . I have a feeling I did, but cannot find it. Of course, with all the stuff I have here on IY&B, it makes sense.

I painted this a few years ago. I worked really hard to get soft tones and paints. I had been working mostly in acrylics when I picked up the oils and was used to the hardness I seem to produce with acrylics. So, with the blendability of oils, that was my focus of the exercise.

The results here have been sitting around for ages with the thought the painting could use a bit of work. Looking at it now, it seems finished enough. I am pleased with the moodiness and sense of a damp woodland as well as how you can tell it is a misty day by the colors of the sky through the trees.

Oils, 10×14 canvas panel.