Afternoon Sketches

Late afternoon I met up with a friend at a nexus for a series of hiking trails to do some afternoon plein aire sketching. She brought a paper and pencil, I brought ink and watercolor. We walked about 30 yards down a flat trail and settled in what could appear to be an isolated area as the trail curved into an oak woodland at the lower edge of a hill. The later afternoon sun gave lovely shadows, areas of light and dark, and the oak trees were especially beautiful in that light.

This is my “warm up” sketch. I always like to play around with what I am working with to see how ink and watercolor and paper all interact. Most importantly is how the watercolor and paper work together. This sketchbook is designed for watercolor sketching, and it worked well. Here I started out with the ink and then worked with the paint. After all was dry, I went back in for some touch-up with the pen.

For this one, I painted the tree shapes with light washes. Then came the leaves. After that, some ink, back to paint, then finally ink.

The second painting is my “serious” one whereas the “play” painting was testing my tools. We spent two hours sitting in the woods, yakking and drawing, taking a few photos, chatting with passersby on bike and foot. At 5 pm the sun was going down, so pack it in, hike that long distance out, and say our good-byes.

Ink, watercolor, 5×7 on watercolor paper.

Under a Rain of Acorns

Yesterday I decided to finally go on a bit of a hike by myself. With a bit of trepidation, I told people where I was going, had my phone, and watched where I put my tootsies. The result was a slow meander, camera in hand, down the Chumash Trail. Housed within the area of this park is the Chumash History Museum, closed weekdays, but worth a visit.

Overhead, the half moon could be seen above the trees and glimpses of the mountainous ridges above. The pathway beneath the trees was dark and shadowy.

Though it is just weeks away from winter, here in SoCal we are experiencing dry weather, sometimes warm, sometimes cold. This morning I woke to the news that Malibu is, once again, in flames. An ironic bit as I thought I should walk down the Chumash before it burns again as I knew the east winds were on their way.

My favorite old, old tree is gone, with only a reminder of its former grandeur and an empty sky overhead.

Grasses, flowers, poison oak, toyon were present, too – some plants I could name, others I could not, but it was just a pleasure to be out, looking for deer and squirrels – listening to the birds – canyon wrens mostly, an occasional crow – and to the patter, patter of the acorns.

And, of course, everywhere are oak trees! Some scorched, some fallen, some cut down and left to return to the earth after the fire. Each tree has its own lovely and crazy shape and form, like dancers bending and arching. The Chumash Trail is a magical place and one which soothes the soul as only a walk under the trees can . . .

Late Afternoon

Along the Chumash Trail
Along the Chumash Trail

Yesterday afternoon I did a lot of sewing and running around to the point I so tired of the house and machines and tasks that the best thing to do was run away.

I do that a lot.

At about 5 p.m. I decided to snag the Canon G7X Mark II as all I wanted was a point and shoot and a brisk hike along a trail with trees and rocks and bugs and poison oak. It was perfect! The hills beyond the little canyon where the trail is were still covered with golds and lavender from this past winter’s rain, and alongside the trail was a profusion of mustard, monkey flower, salvia, penstemon, sunflowers and a number of flowers I don’t know. For two hours I ran around, ignoring my wifely duties of dinner (we had leftovers, so J. was fine!) and getting my mind elsewhere.

Too easy to forget about the natural world when the unnatural one demands so much time. The shade, light, sun, shadows, were not simple to get in a photo, and the colors just got burnt out in the glare or lost in the dark. In the end, a black and white with lots of subtlety seemed the best way to express the beauty of the hike.

Just After the Rains

After the Rains

Most of December 2021 saw rain and cold weather – at last! It doesn’t change the drought situation here in California, but it does help. I hope the bits of green here will soon spread over the hills, which have been dead and brown for far too long. Rain in the single-digit percentage points shows up on the weather forecast, but with the climate situation it is impossible to predict anything.

This is from the Chumash Trial area near my house. It is the same area where I spotted the Acorn Woodpecker in yesterday’s photo. I love this area because of the wonderful oak trees down this trail. Sadly, many were lost in the Woolley Fire (I think that is the one) from a few years ago that swept through this area.

One of the fun things about digital images, or digitized film images, is the playing around in post and creating presets. This one I rather like – it gives a sense of the softness that new growth brings to the world. Spring is coming, early of course in my neck of the woods, and the rains are the reason for the rainy season.

Etc.

Oak Trees – LInes, No Lines

Tired of being indoors, I pulled a bunch of stuff out to the side patio – paints, brushes, water, chrome book, water, palette, head phones, ink, pencil, pen.  I played a bit and mixed up some greens using yellows and blues, and phthalo green.  I don’t like having only phthalo green on my palette, but that is what I had.  I like sap green and Hooker’s.  I also like Payne’s Grey.

Being outdoors means being cramped on a really small table, so everything was jumbled up.  The goal was to just be outdoors and do something.  So, I used some photos of trees I have taken over the years.

The first tree was one I took the other morning when out on a shoot with my friend Tom.  Here is the photo:

And here is my rendering in line and colors:

And then a photo from April 2015:

And the results – no lines, only the intention to paint light and dark, contrast, whatever:

I’ll tell ya, this last painting was painful!  I noticed that most of my colors tend to be pastel – a lot of water, not a lot of paint.  I felt like I was beating up my poor brushes trying to get deep colors with more pigment than water.  Wetting the colors a bit before might help.

In my opinion, neither painting is especially sophisticated or elegant.  I will say that despite its primitive quality, I am pleased with the lineless painting as I did accomplish something.

Does your head feel totally stirred up when you try something alien to your normal ways of doing things?  Mine always does and it takes awhile to return to orbit.