Misty River

More wet-in-wet work.  This time, I paid a bit more attention to the details along with the wet paper and paint.  I laid down washes, waited for them to dry, and then laid down wash upon wash.  At times I lifted color out while still wet, too.  It’s hard to describe what I did, but overall I was more deliberate in my approach to this painting, taking time rather than letting my impatient personality dominate.  The result is a more successful painting.

Colors include burnt sienna, Hooker’s green, ultramarine blue, quinacridone gold, and perhaps a touch of sap green and cobalt blue.  Limited palettes really help pull a painting together, as well as help you learn what colors, when mixed, produce what new color.

Brushes included a huge round for the main washes, and then a medium / small round, and a rigger brush for the grasses.  I got the rigger as a Christmas present, and this is the first time I used it.  I practiced on scrap paper, and can see why a lot of people like them!  This one is a bit stiff and has a lot of snap to it.

Wet-in-Wet Pond in Mist

Another lesson in wet-in-wet technique with Peter Sheeler.  This one really worked well for me!  I like the results below.  My weeds in the foreground on the left were not as dry-brush as they should have been to get the crispy qualities – the right side was more successful.  I’ll be doing another of Peter’s exercises later today!

Early Morning

early-morning-2

Another photo from the misty, moisty morning I climbed out of bed . . . .  While the Galaxy S5 takes OK panos, I like the stitching-together process better.  Here is a view of Mount Clef across the grasses of the small valley in Wildwood Park nearby my home.  Today we expect 86F, and tomorrow 91F.  I think I live in hell sometimes, even though it is very pretty!  I am tired of this heat – ongoing heat – and dream of water falling from the sky.