mist – Ink, Yarn & Beer

Beach Day at Low Tide

After a busy several days, including the winding down of my summer painting classes, I needed to do some watercolor and landscape painting! Oil painting and portraiture require a lot of focus, but it is so restful to just think about colors and shapes, as I do in watercolors.

This painting is inspired by travels along the Oregon coastline. I tried to capture both the color of the sea as well as the mistiness of the distant mountains. The little dots representing a beach filled with people was a bit inspired because I needed to do something with some empty space in the middle. Nothing like being the god of your landscape, eh?

Watercolor, St. Cuthbert’s Mill Bockingford paper, 140# CP, 12×16.

Into the Mists

The Great Smoky Mountains get their name from the mists that rise up from the hollows. The park was established in the 1930s and are part of Appalachia, itself which covers parts of New York south into the Carolinas, Georgia, Alabama, and more. My own family on my father’s side can trace itself back through many areas, in particular Tennessee. As a kid, my family traveled through these mountains a bit, but I have never had the opportunity to spend a lot of time exploring them.

Here, I tried to work with a limited palette as well as a wet-in-wet technique to create the sense of fog and mistiness of the distant trees. The sense of just a wetness to the landscape – lush greens, trees, mists – is another thing I wanted to convey. I think it works.

Watercolor, 9×12, Arches 140# CP paper.

Last Night

Several weeks ago the fierce, hot east winds (aka Santanas, Santa Anas) came through and the neighborhood over the hill went up in flames with over 320 structures lost. Now we expect the same situation for the next few days – dry, windy, low humidity. I used to love the wind, but now I fear it.

For days we have had sunshine and no rain, few if any clouds in the sky. Day and night are clear with a gentle breeze. Last night, though, the fog came in. Not a pea-souper fog, but enough to leave water droplets on Inky’s fur after her evening walk, and chill enough this morning to feel the damp in my bones. I always like how fog and mist distort and blur the world around me, so last night I decided to take out the little Canon G7X camera to see what I could get.

We have a cinder block wall surrounding our house, and as we sit on a corner, we really have rather nice views up and down the streets in the neighborhood. The top of the wall is flat and stable, so I used it to hold the camera in place, focus in and out for composition, and then pushed down the exposure button and held it there to keep the camera steady. I got a few shots, but this one is my favorite.

Coastal Farm

Along the California coast, fog forms and covers the land, usually in the mornings and later in the day. It is a very standard – and annoying! – part of summers here – “May Grey” and “June Gloom” and “Goodbye July” are the standard snarks about the lack of sun! Here, another view of the farm, misty fog coming in as the afternoon moves into evening.

Fishing Boats in a Misty Harbor

This ink and wash painting sort of drew itself. I wanted to paint some more boats, inspired by yesterday’s fortress / citadel / rock ship! I found some photos of fishing boats, drew them first with pencil and then inked them in. From there, lines and misty buildings, and seaweed in the foreground. Now, if you are fishing boat person, you will probably laugh at what I have done – and I don’t blame you – what are some of those things on the boats?!

That said, I think the boats turned out fairly good. The swoop and curve of a boat is always a challenge as most things look like rectangles and squares, with corners rather than a bulging curve out of the water. Reflections, too, are a challenge. I think the direction of the sun influences if reflections are shorter or longer in water – maybe I read it in Ted Kautzky’s classic Ways with Watercolor.

And so I leave you to ponder the boats, the fog, and what might lurk in the distance . . .