Back roads, autumn leaves not yet fallen, crisp air, sunshine, a cool breeze. This makes for a perfect day!
Watercolor, 11×14 Arches 140# CP paper.
Today I played around with the same subject of the other day – a covered bridge with a bit of snow. The goal for today was a much more direct use of the colors, with very little returning to fix this or that with a glaze. Consequently, it is more casual and not especially refined – such as the bridge itself – but I like its simplicity and clarity of color. I met my goal in this painting. Below is the original from the other day.
I may choose to do this same picture a few more times – pen and color as well as another one more direct but done more carefully. It’s a good subject overall.
Watercolor, 10×14 Arches 140# CP.
Tomorrow is a family gathering, quite possibly the first since last year. This morning I cleaned up clutter and sorted out things, did all the first-of-the-month stuff, and so on. Meanwhile, the esposo is working from home and making both beef and chicken barbacoa in between saving database lives. I have already run around town collecting goodies, as have other family members, so we call enjoy a bit of a feast and each others’ company tomorrow with good food and good company.
Of course, a girl can only do so much and then the painting gods and goddesses beckon. Once more, lavender fields call, so here some are for your enjoyment.
Technique was primarily wet, beginning with they sky and distant mountain and trees, letting things bleed into each other. I like the misty effect and sense of distance it creates, as well as the suggestion of tree-covered hills. From there, greens and lavenders, lines and directional shapes. Final details were some dry brush lines in the foreground and in the tree shapes to create texture and vertical movement. I used a large mop brush (#6, Princeton Neptune) for the entire painting until the end. At that point, I took a small stiff brush to add some of the finer lines and dots.
Part of me thinks I could have done a bit more of a light lavender color, but overall, I am pleased with this painting.
Watercolor, Arches 140# CP paper, 9×12.
For some reason I remembered the fun I have had with pastels – soft, hard, pencil. I dug them out yesterday afternoon to play with, not to do anything great. I have not used them in a year or two, and with that comes the need to re-learn what to do with them. I figured an imaginary landscape somewhere would be good territory for exploration, so in the Land of Something, I began.
The first thing I did was to used Golden Pastel Ground which I mixed with some fluid yellow ochre acrylic paint and water, thinning it to the consistency of cream. I applied 3 thin layers onto Canson XL oil / acrylic painting paper, letting it dry in between each layer. This give a sanded surface with a bit of grit, and it held up really well.
After the paper and ground were dried, I pulled out all my pastels. I have soft pastels by Rembrandt and Terry Ludwig; harder pastels called Nupastel, and some reputable pastel pencils by Derwent and Faber-Castell. The first layers were done with soft pastels to lay in the values. I used rubbing alcohol and a paint brush to establish values. The alcohol seals the pastel pigment and once dried the colors do not flake off.
I applied layer after layer after layer of soft pastels, blending as needed, and using a very fine mist spray bottle with alcohol in it to settle each layer. In the end, I used the Nupastels and the pastel pencils to see what they can and cannot do. When finished, I sealed the painting with more alcohol and used a hair dryer to hasten the drying.
Last time I did pastels I got frustrated, and it seemed everything I did got worse and worse! My own thoughts are I am more accomplished or skilled with colors and such now than I was a few years ago, so this may be why I feel this is a successful foray into a forgotten medium. I expect I will be carrying on with pastels as they are a lot like drawing and painting, messy and bright. I think I may attempt a building with the next painting.
Working with pastels produces a lot of dust. I wore a face mask and damp wiped my work area after I finished. If I continue to paint in pastels, I plan to get a good air purifier with a HEPA filter to keep the potential dust hazard to a minimum.
9 x 12 Canson XL oil / acrylic paper; Golden pastel ground with yellow ochre and water; Terry Ludwig and Rembrandt soft pastels with pastel pencils and Nupastel. Rubbing alcohol used to seal dust. (Now let’s see how it works as a final fixative!)
Every now and again a small group of us meets at the park behind the library in town. Usually it is on a Monday, and I have been able to make it to the last two after missing so many it has been months. It’s a very nice group of people, from pencil artists to painters, and we are led by our wonderful teacher, Steve. We are usually there for a couple of hours in the morning.
The park itself is a bit small, but there are picnic tables, party areas, benches, playgrounds, and volleyball courts. Add a pond and ducks and a lot of trees, and it adds up to a very pleasant place to be. Today, in keeping with my more direct approach to painting, I brought along the Vision paper so I would be forced to work without a lot of messing around. The point of this study was to preserve the white – or add white as needed – to the volleyball net. The rest was whatever! Of course, more direct painting was the other, secondary goal.
Watercolor, 9 x 12 Vision watercolor paper, 140# CP.