Painting, Waiting

Watercolor is wet. It needs to dry. In a studio setting or classroom, a lot of people use hair dryers. You see it on videos all the time – brrrrrrr! But, outdoors, unless you have an outlet and a long extension cord, and want to annoy yourself, you just sit and wait for air and evaporation to get to work.

In Saguaro Land

I opened up my big sketchbook – each page is about 9×12 inches – and it was a spread across the two sheets. Above, a more traditionally done sketchy watercolor. I did a basic pencil drawing and then applied color.

Last month we drove from north of Los Angeles out to Tucson for our Global Entry interviews. En route we drove through portions of the southwest I have not yet seen, driving east from San Diego along Hwy 8, at times just north of the Mexican border. The land was sparse and beautiful in a fierce way, and before we reached Tucson we drove through the Sonoran Desert, home of the mighty saguaro cactus.

What can I say? They are tall and strange, reaching upwards to 40 feet, with arms and branches against mountains and skies filled with drama. It was beautiful. As we were on a long drive – 8.5 hours – we didn’t stop. I took a bunch of lousy pictures out of the window, and these are the basis for the above painting. An impression, not a reality, although you know these are saguaro if you have ever seen one.

This painting had to be painted in stages, so my thoughts were what to do while waiting? I decided to do some direct watercolor and use a photo I had taken of the local landscape.

Below Mount Clef in Wildwood Park

Direct watercolor has no lines, and I have found it a wonderfully fresh way to see the world and to paint. It is also a challenge not to make mud, not to get carried away, and to think strategically. For me, the real challenges are negative painting and values. Because I am making sketches in a sketchbook and not something “serious” on a sheet of expensive paper, the direct watercolor and the more traditional studies are gaining traction.

I am learning a thing or two in my old age, and there is something to be said for that. Today’s painting was very satisfying. I spent it outside at the picnic table, a few supplies, a dog at my feet, and a kicked-back-who-gives-a-damn approach. And, I don’t think either of these paintings is half bad.

Dry Garden

This is just a little sketch done this morning with a local Meetup group.  There were only three of us, but every time I go to one of this group’s get-togethers, I feel like a princess.  Alison, the leader, does a lovely job.  Me, I am a no-frills type of person, so when someone goes to a lot of trouble for a simple thing, and does it with such evident pleasure, it is just a luxurious feeling!

Anyway, we met at our local library, yacked a bit about watercolor and color theory, and then moved off to the native plant garden.  It was mid-90s, so a shady spot was found, we plopped down, and painted in between the chit chat.  Still, I tried to focus on contrast and depth . . . this painting turned out better than I expected as it had my usual anemic colors, but ended up fairly decent.  It’s about 5×7 inches.