Tag: Arches 140# CP

Above the Treeline – Mountain Peak & Snow

As always, I can never fail to but enthusiastically recommend the short watercolor courses by Shari Blaukopf! Her most recent one is called “Peaks and Valleys.” It is inspired by her trip into the Alps while teaching a class. Having lived near the Rocky Mountains in Colorado and driven through them many times, I found this course especially fun to do. Shari’s instruction is clear and to the point, but her lovely personality shows through to make the lessons personable and friendly.

I am not going to show you the subject matter I have done so far in the course. Instead, I am going to show you what I learned to put into my own painting. My reference for this watercolor was a mountain peak photo found on Pixabay – the best resource for public domain, royalty free photos (and other things, too!).

Mont Blanc was the first mountain top study in this course. At 14,000 feet, it is way above the timberline, covered in snow, and nothing else than barren rock and clouds. At this elevation, the view across the Alps must have been amazing with ridges of more and more mountains before and beyond Mont Blanc itself. To paint it, essentially blues and browns were used in the class – cobalt, ultramarine, burnt sienna – with the addition of Payne’s grey, some organic viridian, and yellow ochre to neutralize of brighten the colors. Myself, for this painting, I stayed pretty much with these colors, but threw in some dioxazine purple as well.

It seems that the one most important lesson I fail to really retain when I watercolor is to be patient and think ahead on what I want to do. Taking a class such as this make me remember to plan ahead.

On the other hand much of my color mixing is automatic because I am familiar with how my colors look and blend, but my natural impatience is sorely tested. This is where 99% of my mishaps occur – rushing. With this painting, not so much because I started playing a game with myself – how will I plot my next step? I didn’t do a value study, but I want to try to do that more often. Here, the strong contrasts of light and dark, warm and cold, made the values and contrast easy to perceive.

I am rather pleased with this painting. It is cold and starkly beautiful, and that was the whole point of this painting.

Watercolor, Arches 140# CP, 9 x 12.

Land’s End, SF

I love San Francisco, like so many people. And, like so many people, I am sad to see how challenging it has become as a city in a lot of ways – homelessness, cost of living, among other things. Still, it has a lot to offer, and Land’s End is one of them. Part of the Golden Gate National Recreational Area, it is a beautiful bit of nature on the edge of the Pacific Ocean.

There are paths within Land’s End, and this row of trees on a bluff is a signature landmark of the area itself. Golden Gate National Recreation Area is wonderful, and I have spent time here, and in the city and around the Bay Area often, more so when I was younger. I had friends who lived in the city itself and have great memories of all it has to offer.

This painting was a bit of a challenge. The tree trunks are bright and clear in the foreground and sharply contrast the foliage of the trees and undergrowth. In the distance, the shapes of the trees and their leaves merge into fascinating shapes. What I find so interesting about these trees – I believe they are Monterrey Cypress – is the trunks and branches seem to vanish within the leafy canopy. The hillside is variegated in vegetation, and while I caught some of the bright green and dark browns, the lights and darks were evident.

I tried to paint as directly as possible, putting paint down and then, while it was wet, varying colors within the shapes. The foliage was a good example of this, as was the hillside below the trees. The sky was painted first and brought down between the trunks near, leaving the trunks to be painted later. Bushes were also painted this way. Finally, trunks and foliage, near and far, and final touches such as a bit of titanium white gouache and a few dots and lines here and there.

Watercolor, unlimited palette, Arches 140# CP, 10×14.

A Sunday Painter

These past two weeks have been rather a waste – bumps in the normal routines create havoc and everything just seems to fall apart. When that happens, it really does require a focused effort to get back up and into whatever interests me. I am just coming out of a cold – thankfully, not a sinus infection – that has made me not really tired, but just lethargic and lazy between bits of fever and congestion. Lounging around and doing very little and sleeping a lot has been my agenda, filled in with little fun things like dishes . . . .

Actually, yesterday was possibly the real turning point. I was feeling better, so I did some sewing in the morning. I am hand-sewing a top without a machine (including finishing the seams with a whip stitch), just to do it. Then blob time. Miss Marple entertained me for an hour or two between naps. And then it hit me – I was just unhappy because I wasn’t doing what I like to do best – paint or draw! I didn’t want challenges or messes (ie oils) to clean up, but …. what?

Gouache!

I haven’t used gouache for some time. I keep it in the fridge between uses. So, while it was coming to room temperature and soaking up the water I put on it, I taped up a piece of 9×12 CP 140# Arches into two somewhat equal sections. Hot press paper is my preferred paper for gouache as it is smoother and lets the paint move over the paper more easily than cold press.

If you have been following my blog, you know that of late I am rather focused on lavender fields. This first painting was no exception. I wanted to see what I could produce, sort of from a photo, sort of off the top of my head. I wanted a gloomy-looking sky to match the grey, rainy sky of my own world this Sunday, and so moved along. Landscapes are very forgiving (I think) and are a good way to warm up when re-acquainting myself with a medium. So, a lavender field, somewhere in the world.

Then, more of a challenge: Buildings, water, plants, and a boat on a river.

Somewhere in a mythical village along the Nile in Egypt. The traditional sailboats – the felucca – are just so beautiful to see because of their simplicity in shape and line. I sourced a number of photos to create this one. I drew in some basic lines, but that was it. I started with the buildings and then the sky, painting the palms and plants before beginning the river its banks. I left the entire area of the felucca as blank paper, waiting until the end to fill it in. The sail was fairly easy, but the shape of the boat and the suggestion of a person was the most challenging. In the end, I was really pleased with how I met this challenge I presented myself!

Paintings are about 4.5 x 10 each – maybe more or less, I am not going to measure! – using gouache on Arches CP 140# watercolor paper.

Water Thaw – 2

Round 2!

First, I removed the liquid frisket. From there I added more color to increase contrast, again using the wide 1.5 inch flat brush. While the paint was still wet, I sprinkled on some kosher salt. After letting it dry, I again added more color, salt, and then spritzed it with rubbing alcohol. This morning I shook off the salt and now am contemplating what to do next. The first step, though, will be to add more frisket to help preserve the existing whites as well as some of the areas of color.

Such a crap shoot at times!!

Below you can compare the first image to the next.