Lavender #2 – Stage 2

With a hurricane, what else can you do beside bake bread and listen to music and watch TV or read a book?

Paint, of course!

Below is Stage 2 of my Lavender #2 of yesterday. I worked on brushwork, details, and all those other lovely things. It is still mounted on the coroplast and taped down, but I like to see what I have by importing the image into Lightroom and then adding a frame. It does help me see things.

I am not too sure where I am at with this painting – I rather like it, but it is a bit more fiddly than I want it to be. I tend to dab – other people I know tend to use short vertical strokes. What I would like to see is an effective stroke, simple, long or short, in my own work. Not easy to do . . .

The rain is falling with a soft sound – the air is cool – and the birds outside the studio window are twittering away. Time to get away from the lights and the lavender and enjoy the peacefulness of the day.

Lavender #2 – Stage 1

Hurricane Hilary is supposedly barreling toward SoCal, so after battening down the hatches and getting a virus and sleeping for more hours during the day and night than normal, running a fever, I finally emerged with some sense of clarity today and accomplishment insofar and I am awake-ish and my mind may be capable of functioning. And, I am bored with being so uncreative and dedicated to duty and chores that need to be done despite the desire to crawl back into bed.

So, more lavender. Let’s just call it Lavender #2 for now, as I am sure there will be other versions sometime in the future. Stage One is below.

I am using the Golden Fluid Acrylics again, and really do like them the more I use them. The paper is some badly sized watercolor paper which is fine for acrylics and dreadful for watercolors. It is 15×20. I mounted it on a piece of coroplast with some tape and went to work. Because of its size I put it on my easel.

I have my paints to the right, with the window facing east. Lots of LEDs with variable lighting – I hate overheads! Anyway, I adjusted the easel to my height and find I rather like this set up. The easel is lightweight aluminum and folds flat. The esposo is kind enough to fetch it when asked as it resides on a shelf in the garage, up high and out of the way.

Colors, at this point, are limited. So far I have used yellow ochre, chrome green, carbazole violet, titanium white, cobalt blue, ultramarine blue, and a drop or two of cadmium yellow medium. My palette is a mess. I just cannot create a tidy one like other artists . . .

For today, I am done. I am getting tired, but painting is refreshing! That is definitely good for the soul.

The Wicked Sun

The Wicked Sun

I pushed this photo in a lot of ways to get that sun glare and spots that showed up when I aimed to the western sky. Even though this is good farmland, I felt that sunny glare – not quite like that of a person staggering through a desert in mad search of water – but I did feel its intensity! Again, at a friend’s family farm.

Coastal Farm

Coastal Farm

Along the California coast, fog forms and covers the land, usually in the mornings and later in the day. It is a very standard – and annoying! – part of summers here – “May Grey” and “June Gloom” and “Goodbye July” are the standard snarks about the lack of sun! Here, another view of the farm, misty fog coming in as the afternoon moves into evening.

Harvesting

Harvesting

Another photo from the visit to a friend’s family farm. Here you can see the empty field from yesterday beyond the small cultivated area. Tom is gathering lettuce, basil, carrots, chard, cebollas and other delicious goodies while Judy and I wandered around shooting pictures, trying to get some good shots. At heart, I am a farm / country girl, and being out here was (pardon the pun) food for the soul.