Back in me days in the Outback it took a bit to keep food on the table – snake and tasty ‘roo stoo. (You’re invited, too!).
AI conjures dinner, just like that!
Bushwhacking Days
Category: Photography
Life on the Veldt and the Victorian Lady Gets a Parrot
Oh, what a tangled web we weave, when first we practice to deceive.
Sir Walter Scott, 1808
We keep hearing how AI can create some rather disturbing images, much like the removal of people from days of yore to create propaganda or beauty, such as in a fashion spread. Above is a sad day, below is a lucky lady who got a gift from the friendly, neighborhood pirate.
You can see the originals below, before doctoring.
What is truth? What is a lie?
Work to Do
This is really a result of the road trip – more of that in other postings! – a lot of slides being scanned by yours truly in two different systems, with two different results. These slides are from ca. 1951-1960 and were taken in Illinois, in Chicago and the rural area where I grew up. For some reason after that the only family pictures we have are school pictures, and they are not really exciting to look at.
The slides were taken with both Kodachrome and Ansochrome. Both have deteriorated, lost color, collected dust and threads. Cleaning them up is not easy, but software – the right software – helps in that regard. Above is a slide I cleaned up and cropped using the Epson V600 flatbed scanner, Lightroom, Photoshop, and On1 Photo Raw. Dust removal with the Epson software was not really great so I spent a lot of time erasing the debris on the slide. You can see the original slide below.
I have no idea what kind of camera my parents used in those days, but I am sure it is a 35mm camera as this is a Kodachrome. This next image is from an Ansochrome slide of yours truly and our dog Siwy (pronounced shee-veh, or as we said, shee-vee). I used SilverFast 8.8 and my PrimeFilm XA Super Edition to scan the slide.
Silverfast has a really good dust and dirt removal in its SE software – you can get this for free with a lot of new scanners. A lot of people think it is hard to use – maybe if you don’t want to play a bit – but I have been really pleased with it. There were still areas after the dust / dirt removal I needed to clean up, such as areas where the slide had deteriorated. Sharpness, too, was difficult to work with. Below is the original scan of the slide so you can see the difference.
The combo of SilverFast and PrimeFilm scanner create a relatively clean scan – I wanted you to see all the dirt! Finally, I did the color upgrade / modification in On1 Photo Raw using a preset I made.
Our family doesn’t have a lot of photos and little knowledge of family history. My mother’s family were immigrants and their family vanished after WW2. We never had much contact with my father’s family for all sorts of reasons. When we go, our branch of the family tree disappears. Editing and recording these slides is for my pleasure and that of my sibs – if they think it is of any interest.
Am I living in the past and not looking to the present and future? Am I getting mawkish and sentimental? It’s hard to tell. History has always fascinated me, so perhaps our little bit of history and that of the world is impetus enough. Of course, editing photos is a bit of fun, too, so why not?
Hiatus from Focus, or A Return to Chaos
These past 8 weeks or so have been very, very busy. I have been taking an art class online which is very demanding and equally fulfilling. A sewing class, too, which is also demanding and fulfilling. At times I have had to make choices between the two, and the art class won out, as it always does.
I don’t know about you, but for me focusing on one thing for a long period of time becomes overwhelming and I feel trapped. It’s not like I spend an hour or two doing something, but sometimes a whole day just doing one thing. When this happens, it is really hard to get back to a normal perspective of life. That is when everything has to simply stop and a determined moving toward other activities has to be done.
One way I do this is to get out and move. Going for a walk, watching a movie, gardening, cooking, socializing. Getting out of the house, away from the studio or fabric, pulls me out of the singular focus of the moment. Being singularly focused gets a lot done, but the feeling of being trapped is not a good feeling. It is suffocating and in many ways crippling. Anything beyond the focal point becomes unimportant.
Obviously, that doesn’t work too well!
The other day, I decided to take a camera I had loaded up with film out and take a long, long walk. Up hills and down, near creeks and on rather scary heights. I went alone. I took my phone for safety, and I let my husband know where I was. I just needed solitude and movement and being out in a world welcoming spring. And then I played with the post processing, sometimes with color, sometimes with silly extremes, and sometimes just to enhance a pretty place.
The world feels a bit more normal now! And given the current craziness, it is something to be cherished and appreciated. Nature gives us something far beyond our comprehension.
Isolette II / Apotar 85mm f4.5
The Agfa Isolette was made over a number of years, sold in the US under the Ansco brand, and is a rather nice camera overall. The issue many of the later ones have is the fact the bellows have deteriorated. Apparently the later models had plastic bellows which developed pinholes and creating, of course, light leaks. I bought my Isolette II from Certo6, from whom I have purchased a number of vintage folding cameras and accessories. I have never been disappointed with the quality of cameras I have from Certo6, so here is a plug for Jurgen Kreckel!
I don’t know about you, but I wander around with my interests – sometimes sewing or knitting, painting, spinning, then on to photography or drawing. It varies, in part with the weather, in part with my mood. Photography has taken a long time out of late, but with summer coming in and a pleasant spring ending, I decided it was time to re-evaluate and re-explore photography. So, with a new-to-me red skinned, black bellowed Agfa Isolette II, a roll of 120 Ilford XP2 Super 400 film, I spent a day wandering around the house and neighborhood, guestimating exposures as well as using a light meter. I got the images back a couple of days ago. All were usable, but below are the best of the lot (I think).
Up front, these photos are not SOOC – I did work on them in post. The Apotar lens is not in the same league as a Tessar, but it is a rather sweet lens. I think the issue more than anything could have been my fault in exposure. The details visible are the result of editing with LR and such, working to bring out detail, increasing contrast, and changing the image to meet my desired goals. Altogether, I like being able to take a folding camera with me – I had it in my pocket while I was oot-and-aboot.
The Apotar lens is uncoated (I believe) and as a result is prone to flare. You can see it in one of the sunflower pictures. I did not use a filter at all. In particular, I think the last one of the Dill Flowers would have benefited from a yellow, orange, or red filter; the dill flowers are yellow and similar to the foliage of the plant. When I looked for pictures to make, my goals were to look for small details, such as the dill leave, strong contrast, as with the trees, and texture, as in the bark.
Altogether, the camera worked beautifully, was simple and direct. Aperture, time, and distance all need to be determined by the user. I used the Sunny 16 rule for the most part and guestimated the distances. Outdoors the usual exposure was f/11, 1/100, and about 6-20 feet (2-6 meters). Inside, most likely f5.6, varying distance, and about 1/50.
