After my attempts at a portrait of a person, the realization was that my shading skills are not really good. Also, my Pencil Portraits class recommences on 2/17, so I thought it might be a worthwhile endeavor to work with a pencil, and work on value with the pencil. This certainly will benefit any studies I do in the Pencil Portraits class, and perhaps get it into my thick skull to think a lot more about gradation and value than I do! (Magpie Brain loves bright colors.)
I am very fond of the books by Alphonso Dunn on ink drawing. His work is phenomenal, and I have learned a lot through his exercises. Given this, I decided to apply some of his studies to pencil work rather than ink. All of these exercises come from his Pen and Ink Drawing Workbook.
Above, is the first one I attempted. If you look closely, you can see the page numbers in the sketches (enlarge the images by clicking on them). These studies were outlines with a choice of light direction. You have to use your imagination!
Shapes and shadows – reflected light, cast shadows, highlights. Simple forms and then a rather pathetic toucan.
I particularly enjoyed employing the pen-into-pencil of these drawings in Mr. Dunn’s book. His are obviously rendered in black and white, with shades of grey determined by pen strokes. Here, I took his studies and applied pencil – graphite – to them. They include a cabbage (I know, it looks like a brain), mushroom, hammer, and bow tie. Each has a different set of textures. I started to visualize where the light source was, and that really helped me start thinking more about what I was doing.
For all of these, I used a 2B pencil and a sketchbook, along with referring to Penn and Ink Drawing Workbook examples.
Ink, Yarn & Beer 