Category: Blitherings

Sumi-e Palm Tree, i

The other day I received a request to demonstrate painting a palm tree in sumi-e.  As I have painted these in watercolor, but not in sumi, I thought I would do a bit of research.  To do this, I just googled “palm tree” and clicked on “images.”  You can also go to places like WebShots, Flickr, and so on, and do a search for palm trees.  The reason I did this search is to look at the different types of palm trees, as well as consider which one might make the most interesting composition.  Shape of the trunk, direction of the leaves, texture and structure all play important parts in a photograph and a painting.  As sumi-e is shades of black-grey-white, I find these elements are especially important focal points.

The above photo is an amalgamation of numerous public domain images of palm trees, as well as one I took when I was in the British Virgin Islands several years ago.  Some are very familiar to us here in SoCal, especially the top center one – these are the palms that are found lining the streets of Santa Monica.

I also have a couple of ACEOs I did of two different palm trees.  The one on the left is a sago palm (I think).  We have three of these in our back yard.  The one to the right is a banana palm.  Sagos are short, squat, and slow-growing.  Their fronds are stiff and pointy.  The banana palm is a much more “loose” palm – if such can be said – as its leaves fly around and are not serrated as most palm leaves.

Whenever I think about a painting, whether in watercolor or sumi, there are elements to consider.    For me, the shape of the object on the page is perhaps the most important.

With sumi-e and other ink-painting traditions, the essence or spirit of the subject matter is important. I don’t think this is less important in modern Western painting, but scientifically exact and accurate rendition of an object is less important in the East.

This means that a sumi painting of a palm tree must catch the qualities of a palm tree.  For me, the sound of a palm tree in a brisk wind is its most outstanding abstract feature.  Fronds dancing in the wind would be an element to catch. Other elements which say “palm” to me are the trunks. Many have smooth trunks, such as can be seen in the pictures above, but the sago palm, the king palm and many other have rough trunks. Fronds are dropped from the tree and the trunk develops a very ragged quality. Do I want to re-create that texture?

As I have been thinking about doing another video about painting, this request has come at a perfect time.

Yikes! Stripes! and Sumi-e

Anyone who has knitted stripes in the round knows that there are problems where the two colors meet.  There are all sorts of ways written up about how to avoid that “jog” that shows the color joins.  Oddly, I couldn’t find any videos on YouTube demonstrating how to do it!

Circular Stripes

Meg Swanson and Elizabeth Zimmermann wrote about how to do a jogless jog.  Judy Gibson has a very good demonstration on how to accomplish it, including pictures with different colored yarns.  I thought I was doing it correctly when I made the Fish Hat, but didn’t – the stripes were more than obvious.

Here, then, is my take of the Jogless Jog:

  • Knit one complete round of new color.
  • Before knitting the first stitch of the next round, use the tip of your right needle to reach into down into the stitch below the first stitch of the next round, and pull the right side of that stitch up, and place it on the left hand needle.  This means (as far as I can tell) is that you pull up the stitch one row below the next stitch, and slide it onto the left hand needle.  You then knit these two stitches together.

Something to note is that a diagonal will occur, according to Judy’s site.  Take the time to read it in detail, and look at the pictures.  It’s a very nice presentation.

Yikes! Stripes! Socks

The other day in a prep class for the CBEST, I started these socks at lunch. The yarns are KnitPicks Palette in a rather tomato-soup red and a Noro sock yarn that varies from hot pink and orange to brownish stripes. I am alternating five rows of Noro with two rows of the Palette. It is because of the stripes that I researched a bit more into how to avoid the jog.

As always, TechKnitting comes up with an excellent and detailed description of avoiding that stripey jog.   Knitting-and.com has a bunch of other ways to avoid that jog.  I decided to try this method for my sock:

In circular knitting:  when adding a new color or stripe, prevent a jog at the joining point by lifting the right side of the stitch below onto the left needle and knit it together with the stitch.

Right now, the jog is not obvious in the color shifts, and is really badly photographed, but as the colors begin to shift, the stripe change will be more obvious, and I hope, more hidden.

Striped Sock Gusset

I am also at the gusset of my Thockies (for want of a better name).  I am not pleased with the way the stripes are proceeding, and so am debating about what to do.  I think what I will do is rip it out to the point of picking up the gusset stitches.  I picked them up in alternating colors, but what I think I need to do is to pick them up in a solid color, even if this means making a bit of a mess with attaching and / or breaking yarn.  Then, on the second round, I will begin the alternating colors for the stripes, and decrease using the same color all along the gusset.  I am also considering using the Dutch heel – as I know it – so I will not need any gusset decreases whatsoever, but can simply knit in stripes without a problem.

Sumi-e

I have not had the time to do any painting at all! It really bugs me. I planned to do some during the holiday season, but unfortunately, so much got in the way! And again, my weekends are devoted to credentialling. I am soooooo tired of school and work! I’ve had to drop my Japanese class, I cannot find a time slot big enough to paint and relax, and on and on and on. No Chinese painting class, either. Well, given that, once I take the CBEST, I will PAINT and make some more videos . . .

Wah!

Laziness

I like the way cables look, I just hate knitting them.  I have also hated twisted stitches for much the same reason.  Just about every book tells you to use a cable needle.  Yeah, sure, it’s oodles of fun to slip one stitch and hold in back, purl one stitch, then knit the one on the cable needle.  And do this fifty times each round.  No, thank you!  All this interrupts the rhythm of knitting and makes me crazy and impatient.  As far as I am concerned, no project is worth this.  A cabled hat is about as far as I will go – never, ever a cabled sweater.

I’ve known for some time that the twisted stitches of my childhood do not require a cable needle for every other stitch.  You can knit or purl into the second stitch, then knit or purl into the first stitch, and then remove them together.  That is so easy.  No cable needles!  Shifting stitches back and forth is not a big deal either – it is that pesky cable needle.

I’ve developed my own ways to do cables without a needle, but none have been especially satisfactory.  So, in a fit of pique, I decided to check out YouTube yet again!  And here are a few videos on cabling without needles.

This first one is filmed in windy North Dakota, so the sound is not the best, but her technique is very good, and the video is very clear.  Notice that Adorabubbleknits knits a few of her stitches before dropping them off and picking them up.

Here you will see Wendy (of Wendy Knits) does all the transferring before knitting her stitches.

Either way, that damned cable needle has been eliminated.  I just may try a complicated cable pattern (a very small one) project this way.

Let Me Sing the New Year Blues

The new year is always a turning point of some kind for me.  Usually I greet it with excitement and enthusiasm, but for this year that seems to have waned.  I’m not quite sure why.  I’ve had the usual stressors that everyone has had in this economy – worries about my job, about money, about a lot of things.  The thing is, these are now part of the daily furniture of life, and after awhile, quite tedious.  So are the usual new year resolutions.

In other words, I’ve become quite bored with myself and my life.  I have been focusing on that and feeling sorry for myself, and totally self-absorbed with it all.  Quite the pity party!

Yesterday Josh and I took a brief walk through an oak woodland nearby.  I love oak trees.  When I was a kid in Illinois, we had a wood lot filled with them and other trees – maple, willow, walnut, crab apple, choke cherry.  The oaks, though, were my favorites.   Here in California, they are too.  They are grand, magnificent, twisty, turny, gnarly, rough, strange, mysterious.

Being outdoors gets me out of myself.  The world is renewed, and so am I.

I think that will be my focus of this next year – to enjoy the world beyond the borders of my norm.

Thockies, ii

Having another week off before returning to school is soooooo nice! I’ve been able to sort out yarn, focus on designing a few things, and soon enough, get some sumi-e done as well.

I was pretty sure I would make socks out of the Riihivilla yarn – and decided that is exactly what I would do. My final choice of contrasting yarn was a warm, naturally creamy white. The warmth of this white is far nicer with the colors than the stark, wintery white I first considered, and does a lot to bring out the warm reds of the cochineal and purple of the variegated yarn.

You can see from the pictures that the color differences, while subtle, are readily apparent. The hand of the wool is very pleasant and has a nice bounce to it.  I’m looking forward to wearing these socks!

When you dye with natural dyes, it is very easy to make a yarn become harsh and unpleasant, partly from the handling of the wool – such as extreme temperatures – or the chemicals involved. These yarns are mordanted with alum, and obviously handled properly. Having dyed with plants myself, I know only how easy it is to mess up and ruin an otherwise nice yarn. Leena Riihelä, the owner of Riihivilla in Finland, has done a great job!