If you follow my all-purpose art blog, Journey By Paper, you know that I have been slithering around with pastels, gouache, and watercolors as a theme for a painting called “The Slough” – sort of an evolutionary adventure. In doing so, I began to move into a kind of abstraction, painting without lines.
Generally, I tend to paint watercolors without any lines on the paper. I don’t know why, but the lines too often act as a cage, and keep me from just exploring color. I really love the way colors and water react on good paper, and I think the lines make me think I need to produce a “perfect” painting, whatever that is. So, here are some abstractions I did, all in one afternoon, in the order I did them. Comments about each panting are below them. All were painted with a 1/2 inch or 1 inch flat brush.
This one I wanted to work on contrast, saving white paper, and creating shapes with the 1/2 inch brush. I was pretty pleased with the results, but the foreground was a bit of a puzzle.
The above is an abstraction of heather. The sky doesn’t match the heather. This one I need to re-think.
I really like this one – the colors just are so beautiful (to me). I think the abstraction worked to catch trees and snow in the spring, although perhaps I could redo it more simply.
Finally, this yellow house has been calling out to me, but a yellow house is not that interesting in and of itself. But, a series of shapes to make a house became the idea after doing all those abstractions before it. Here, a 1 inch brush and a bit of thought. I like this one because it is cheery, has white paper showing through, and is showing me what I can do with pure colors.
All good!
Love all of these. They are abstract but have a relationship with real things. You got me thinking about my own watercolor work. As a newbie, I find that my brushstrokes are weak and jumbled. An exercise like this might help me.
Hi Laura Kate! I always flounder with watercolors so I just do direct painting, no prelim, just working on thinking about what I want to do. it takes a bit of warm up, though, and really sloshing the paint around. Using a bit flat brush really pushed me. Just do it – and use cheap paper while you warm up, and then give it a shot on good paper – the results are going to be better for it. Something worth doing for sure.
Thanks, Fraggy!
I love all of them, especially the snow picture. It reminded me of our recent trip the to mountains. Beautiful work.
Thank you for the tips.
Thanks, Anne!