Santa Paula Ranch in Winter

California is filled with open space and ranchlands; in fact, according to the US Department of Agriculture:

Over a third of the country’s vegetables and two-thirds of the country’s fruits and nuts are grown in California. California is the leading US state for cash farm receipts, accounting for over 13 percent of the nation’s total agricultural value.

So, California is far more than rich people, Los Angeles, and movie stars. Where I live, agriculture is a major industry. It is around little towns and large suburban areas that you find ranches, for flowers, avocados, citrus, strawberries, and vegetables. Here, a view of a ranch in Santa Paula, taken from a train ride several years ago. The original photo is below.


 

Winter Trees at Dawn

Second pastel.

Here, I used a medium blue paper and tried out different techniques, such as circular blending with the pastel itself, a torchon, fingers. I used vine charcoal and charcoal pencils for some of the finer lines.

The snow on the trees was an interesting challenge. To accomplish it, I scribbled some pure white pastel onto it, and then used the tip of the torchon to blend around it.

Compositionally, I think there is something missing here . . . I also think the midground could be a bit different to convey a sense of depth.

For a second bout with pastels, I can say I am enjoying what I am doing, even though I have to dress like a hazmat worker! (I wear a mask to keep the dust down.)

Winter Aspens

I am really rather pleased with this gouache – haven’t done any since last year!  When I am painting in gouache, each one begins okay, with clear ideas in my head.  And then it gets really and truly hideous.  And then, it changes, almost by itself, and comes together in a way that watercolor doesn’t.  I don’t know how to describe it, but the process is quite magical – just like snowy woods in the late afternoon.

Late Afternoon

I’ve been really into doing wet-in-wet watercolors this month, and think it may become a theme for the month of January.  So many areas of watercolor benefit from it.  Skies seem to lend themselves to it, but so do fog and reflections.

Here, a winter landscape, partly from memories of those lovely, cold afternoons in upstate New York or rural Illinois, when the clouds were low and dark, snow was on the ground, but somehow, the sun made it through, casting shadows and a bit of color on the vast swaths of white.