Tag: weeds

Late Afternoon

Along the Chumash Trail
Along the Chumash Trail

Yesterday afternoon I did a lot of sewing and running around to the point I so tired of the house and machines and tasks that the best thing to do was run away.

I do that a lot.

At about 5 p.m. I decided to snag the Canon G7X Mark II as all I wanted was a point and shoot and a brisk hike along a trail with trees and rocks and bugs and poison oak. It was perfect! The hills beyond the little canyon where the trail is were still covered with golds and lavender from this past winter’s rain, and alongside the trail was a profusion of mustard, monkey flower, salvia, penstemon, sunflowers and a number of flowers I don’t know. For two hours I ran around, ignoring my wifely duties of dinner (we had leftovers, so J. was fine!) and getting my mind elsewhere.

Too easy to forget about the natural world when the unnatural one demands so much time. The shade, light, sun, shadows, were not simple to get in a photo, and the colors just got burnt out in the glare or lost in the dark. In the end, a black and white with lots of subtlety seemed the best way to express the beauty of the hike.

Winter Storm

When I first started to paint in watercolor – like when I was a teenager! – the advice was to use a brush bigger than what you think you need. Yeah, right. Over the years, I have resisted this, but lately I have been doing the majority of my painting with a 1.5 inch flat brush. From there, different brushes with different ideas in mind.

Here, 16×20 CP 140# Arches. I sponged the entire paper with water and then set in the sky. From there, the water and grasses along the shore, working to get blurring of colors into the wet paint. Then, the horizon with the same 1.5 inch brush. I let it dry.

From that point, it was a matter of thought. Initially, the sky dried to a pale color, so I laid in more dark paint for the sky, using a spray bottle to move the paint around, and holding the painting by hand, tilted the paper this way and that to run the paint in various directions.

Looking at it upside down always gives a new perspective, sometimes good, sometimes not. I added some dry brush for the weeds, and used a wet mixture of blues for the snow shadows. I also painted a darker version of the same snow blue into the distant water, moving it into the weeds / reeds. Then, more dry brush once the water had dried to overlap the paint I applied.

This is a stronger painting than some of my more more recent ones, and I will credit the large, flat brush forcing me to work simply. It’s actually much more fun, and easier, in many ways, because I am not getting finicky to the point of crazy.

Progress is being made!