Another picture from the hike last year in Hill Canyon. It was a bright, hot day, but pleasant nonetheless.
So many people talk about post processing with digital – and film – images. Some say no, don’t do it; others don’t care; others think AI is going to ruin it all. I have to admit that I like pushing photos to make them more interesting or to create a mood, and even the use of AI is fine – but, using AI should be acknowledged.
Pushed here, but no AI, but I did use generative fill in PS to fill in some gaps. This was a panorama of about 10 images I pasted together. Maybe generative fill is AI, so I might be guilty here . . .
I have been taking classes from a local teacher and artist, Harvey Cusworth, through a seminar and adult ed classes in oil painting. He is an experienced teacher and one who pays attention to each student, gives good suggestions and advice. Additionally, he is an experienced teacher which, in my opinion, adds a lot of value to a class as he is very aware of how a classroom of unruly kids or adults can act!
In the seminar we started landscapes, but because of getting sick, I missed two of the classes along with a number of adult ed classes. I decided to continue into the adult ed class the landscape I had started in the seminar just because I thought it challenging but also something I wanted to paint – a landscape from the back country here in Ventura County.
First: my final (as of this writing) version of the painting.
And now, it’s evolution. First, Harvey’s photo which was the subject matter – in color and then reduced to black and white to get a sense of values.
Photograph by Harvey Cusworth
Next, my own rather goofy value study, painted in color and then reduced into black and white.
Underpainting
This painting is done in oils, and has taken me several hours over several days to complete it. Even now, I have to let it sit and dry and regard it a bit more carefully to see what I think of it. As it is still wet I took a photo of it, and in places there is some glare, seen more clearly when enlarged. 11×14 on a cotton canvas panel.
As above, I like to see what my work looks like when turned to black and white – for values. Also, it is just fun to do! I just use the sliders in LR to reduce vibrancy and saturation reduced to -100. Doing this is really a good way fro me to evaluate contrast and such.
Final painting in color and black and white
So, there we are. In general, I am pretty pleased with this painting. The goal is to lead the eye along the creek to the small stand of tree at the top of the creek. I wanted to show the brightness of the barren mountains in the distance, but did not want them to become overwhelming. The BW image of the final painting shows that the mountains are very similar in value as the sky. Is this an issue? Not sure. Things like this are to be considered in a few days when it is no longer in front of me.
Now, on to other things, like cleaning my brushes . . .
I pushed this photo in a lot of ways to get that sun glare and spots that showed up when I aimed to the western sky. Even though this is good farmland, I felt that sunny glare – not quite like that of a person staggering through a desert in mad search of water – but I did feel its intensity! Again, at a friend’s family farm.
Along the California coast, fog forms and covers the land, usually in the mornings and later in the day. It is a very standard – and annoying! – part of summers here – “May Grey” and “June Gloom” and “Goodbye July” are the standard snarks about the lack of sun! Here, another view of the farm, misty fog coming in as the afternoon moves into evening.
Ink, Yarn & Beer 