Tag: sunset

Winter Road in Hill Country

Today I decided to do some oil pastels. This is my second – no, third – painting in the medium. The cat and mandarin were on Strathmore 300 watercolor paper; this is on an 8×8 cotton canvas panel, the kind used for oils or acrylics. I read you could use oil pastels on nearly any kind of surface, so I grabbed this just to try it out.

To tell the truth, oil pastels are fun to use, but they are also tricky. Blending colors makes sense – layer this with that to make thus – but the blending itself is a rather creative experience. I used stumps (tortillons) for the most part, but toward the end I used my finger tips. Also, I found out that if I put on too many layers, eventually the newer layers pull off the underlying colors. While this could work for some desired effect, it was problematic in other ways. Live and learn, right?

I scanned this canvas on my Epson V600 (one of my best purchases!) as photographing paintings is time consuming, tedious, and usually worthless the way I do it. Two scans were needed, and in between I had to wipe of the glass platen to remove little oil pastel bits. Apparently oil pastels never really dry out, but you can apply a finishing spray to them. Sennelier makes one, which I bought along with my pastels, which I will try probably next week.

Winter’s Trees

For the past several weeks I have been immersed in painting classes – 2 or 3 a week, and too many hours to count. I finally decided I was doing more than was good for the rest of my life, and decided to cap it to a few hours a day. That balanced things out as I was getting rather nutso.

This is based off a Pixabay photo of trees and snow, at sunset or dawn. I am not sure if this one is “finished” yet, but think it is done enough to scan and put online. It is acrylic paint on a piece of 11×15 watercolor paper. I decided to use it as the paper is 100% cotton but the sizing is not good. As I bought the paper a long time ago, I cannot return it.

One thing about painting in acrylic, you can paint on a lot of different surfaces. I like the feel of paper beneath my brush more than a canvas panel that I have gessoed. Maybe it is because I am used to its surface texture, but there is more of a connection there with its surface – smoother than a cotton canvas panel, but with some tooth. I do plan to learn more about oils later this summer but need to play with it a lot more and figure out where to paint as oil solvents, while now often odorless, are still volatile and not exactly something to be breathing in a closed space.

As I work on learning how to paint I also explore different artists. Right now I have been looking at a lot of the Russian artists of the Impressionist variety along with ones from the 1930s, such as Nikolai Timkov and his fellow painters. Impressionists and more modern painters appeal to me because their sense of color and brushwork, as well as subject matter, are more to my liking than any other era. I like abstraction, too, so a bit of all of these appeal to me. Strong graphics, elegant composition, good colors get my eye. Art is really a personal thing anyway. What I want to hang on my walls may be nothing you would even consider . . .

All this painting is also making me think about brushwork. It expresses so much. Smoothly blended or broken? I think the next exploration will be broken brush strokes and trying to choose a color and put it down – paint it and leave it, as Ian Roberts is telling us!