
Tag: Santa Barbara
Spring Break: Days 5 & 6
Day 5

Today I drove up to Santa Barbara where I lived ages ago. It’s hard to believe I spent 15 years of my life there, but in many ways it hasn’t changed. While not the small town it used to be, it is still quite beautiful. Careful city planning makes sure that construction codes are stringent, and renovation of many of the sleazier or slummier parts of the city are increasing its beauty. The problem is that it is very unaffordable. Outlying communities offer more reasonable, but still expensive, housing, and the result is that what was once a small town is now a tourist attraction. The charm of the city is that it is walkable, surrounded by mountains and the sea. Many famous landmarks dot the city, and my favorites tend to be the mission, the botanical gardens, and Alice Keck Park Memorial Gardens. Above the city, the Santa Ynez mountains offer hiking, vistas, and if you are willing to travel the back roads, hot springs and other natural wonders. The ocean forms the western border of the city, and the best beaches are along the pier, at Henry’s, and at Butterfly in Montecito. Dining is phenomenal and ever-changing. Oh, how I wish I had bought property!!
Well, now that I have listed some pros and cons of the city, one of the cons I found was that the botanical gardens are now charging an $8.00 admission fee, unless you are a member. Since I didn’t have any cash on me – duh, why didn’t I? – I didn’t go in. I wish I had, though, as I love it, and certainly would consider being a member if I still lived in SB. Rising costs, though, make it necessary, and if you love beautiful spaces, it is a definite plus and worthwhile.
So, my photo shoot was limited to a park that went in when I was still living in Santa Barbara, Alice Keck Park Memorial Gardens. This has a pond, drought tolerant and low-water landscaping, beautiful trees, flowers and other plants. The pond is home to ducks and turtles, and at one time koi, and an abandoned piranha. It has grown a great deal, is beautifully maintained, and a place to relax, look, sniff, nap. When I was there, someone was playing a violin under a tree.
Besides taking pictures, I visited a few stores, called up friends for lunch, went to the beach. It was a very peaceful day, and certainly one I needed. There was a bit of nostalgia, too, when I think of that time in my life. Hard to believe the passage of time, of aging, of lost youth and love (tra la), and yet, here I am, despite (or in spite) of it all!
Below are some pictures I took at Alice Keck Park Memorial Gardens. This is a place of serenity and beauty, all within a city block. A very old city park, Alameda Park, is directly across the street, and is home to a bandstand, playground, old and fascinating trees, and the Summer Solstice celebration every June.




There were a lot of red-pink and yellow flowers in bloom, on stems and on trees!
Day 6
Today is Day 6, the midpoint of my spring break. Yesterday was Day 5, and a day of total relaxation. Today, I plan a work day. Papers will be graded, and I will sit down at the computer to start reading some books on software I bought. And that will be really, really difficult. I hate being inside when I can be outdoors! The patio has the papers to be graded piled on its table, and a couple of textbooks to look at for class prep. That should keep me busy for the morning. And tonight, our photo group meets. We will do a walk-around shoot in a local park – walk a bit, stop, look around. Find something to photograph in a creative way (a bench, a person, a piece of trash), move on, and repeat. Should be interesting to see our results.
Day 7 is already planned – a friend is arriving by bus to spend the day!
Art of Ink, ii
A Digression into the West
Here, ink usually means sumi ink. Ink sticks. Painting in ink. Surprise! Ink also comes in bottles, for dip pens and fountain pens, and anything else you may wish to do with it. I’ve a small collection of vintage fountain pens, dip pens and nibs, and ink in cartridges and bottles. A lot of pleasure may be had in using fine writing tools.

Colors
For thousands of years, we have sought colors for painting, drawing, and writing. People painted the rock walls at Lascaux, using earth pigments such as red and yellow ochre, umber, and carbon blacks from wood smoke or burnt bones. White came from grinding up chalks. Cave and rock paintings can be found throughout the world, such as those at the Painted Cave in Santa Barbara. These pigments were applied with the hand, with some form of brush, and by filling the mouth with the colors and then blowing them onto the rock – people left their handprints behind using this method.

Frescoes are attributed to the Minoans on Crete. The art of the fresco has been used for centuries, and continues to be done today. Pigments are mixed with water, and applied to wet, fresh plaster. As the plaster dries, the painting becomes a permanent part of the structure. Egyptian and Indian antiquities are filled with frescoes. European churches have frescoes which span the millenia. Mexican artists, such as Diego Rivera, created murals using the fresco. Locally, Gordon Grant painted the murals in the downtown Ventura post office in 1936-1937.


Today if we want color, it is readily available in clothing, paper, ink, paint. With technology and the advent of chemically-derived colors, we do not give much thought to the labor involved in earlier times to get colors. Just dyeing in cochineal and indigo is a time-intensive project; if thought is given to collecting the bugs or growing the plants and the transport and processing of these materials, a sense of the work needed to get colors can be gained. Earlier times meant searching out pigments, carting them home (like carrying rocks on your back!), grinding them up, purifying, whatever. And then, what about all the creative ways explored to move that color to walls or cloth? These techniques became closely guarded secrets to ensure a livelihood to those in the know.
Writing
Writing was also done on many of these frescoes, but writing itself began earlier and throughout the world. Early Chinese wrote with pictograms; cuneiform developed in the Middle East; hieroglyphics were used by the Egyptians. Alphabets developed and simplified the writing process as letters represented sounds – thousands of images did not need to be learned. Different alphabets may be found throughout the world – Arabic, Hebrew, Greek, Russian, hiragana, Roman. These may be modified to meet a local need.

Along with writing came a desire to communicate. Lugging clay tablets around was rather cumbersome – postage could be prohibitive – and so more portable, yet permanent, means of writing were sought. Parchment and vellum were developed and used for books and manuscripts. Papyrus was pounded into sheets and scrolls, and used by the Egyptians. The Chinese developed paper. Pigments and inks were developed – some good, some not so good – that could be easily applied to these surfaces. Plants, minerals, and a myriad of chemicals were used to create ink and color. Iron gall ink was used for centuries. Carbon ink, derived from soot and combined with bone glue, was and is used to form the sumi stick. Recipes for homemade ink can be found throughout the internet, and in old books for the handy housewife.
Writing Implements
All sorts of things were used to write with, but some of the noteworthy ones are the pen and the brush. Reed pens were used by the ancient Romans. Hollow reeds had a nib cut onto one end. Ink was poured into the hollow, and the reed was squeezed to move the ink to the nib. Brushes have been used extensively in the East and the West, but in the East they were used for both painting and writing, while in the West, brushes are primarily for painting. Quills cut from bird feathers were common throughout Europe, with those of swans, geese, and turkeys. An amusing, informative article about quills and pens may be found on the Jane Austen Society of Australia site.

Feather quills are not especially sturdy implements, so with time and technology, metal nibs were developed. Dip pens became commonplace in the 19th century as manufacturing technology improved. The fountain pen developed in the late 1800s, and was common until the ball point pen began to replace it in the mid-1950s. Cartridge pens came in at the same time, and are still very popular. Today we see rollerballs and gel pens and magic markers (that term dates me!) of all sorts.
Despite all these changes, writing with a nib and ink continues. Fountain pen bladders of silicon and rubber are still manufactured and used in the repair of vintage fountain pens. The delightful Fred Krinke of The Fountain Pen Shop in Monrovia, California, is still going strong, with a family store in existence since the 1920s. David Nishimura sells vintage pens, as does Gary Lehrer. John Mottishaw is renown for his customization of nibs. Nibs for dip pens are available and for sale in many places – some are new, some are new old stock from over 60 years ago. Calligraphers still make their own quills, grind their own ink and pigments, and practice the art of fine writing. Carrie Imai offers private lessons as well as group instruction.

The Art of Writing
Before the printing press, and even after its invention – but before the computer! – fine handwriting has been universally admired. In many cultures, the measure of a person is often determined by the quality of the penmanship or brushwork. Graphology, or handwriting analysis, purports to be able to reveal all sorts of things about the individual, from personality traits to health. (Given the decline of emphasis on handwriting, it could be amusing to see what might be determined.) A clear hand was necessary when records were written rather than entered into a computer, but certainly a fine hand was important as well. Many of the world’s historical documents were handwritten by scribes, and flourishes added to their visual richness. Marriage contracts and other legal documents were ornate, formal, and artistic.

Because writing became such an important form of communication, the tools and instruments of writing became works of art by themselves. Sure, anyone can write with a twig, but human nature seeks to embellish and beautify: Gold and mother-of-pearl dip pens, cut glass ink bottles, fancy writing slopes and lap desks, ornately decorated ink sticks, elaborately carved suzuri, colorful fountain pens.
The Art of Slowing Down
Today, with our throw-away culture, the beauty of these functional items may seem foolish, but personally, I totally enjoy them. And, like many people, I use them as well. Email is faster than snail mail, but the thrill of a personal letter still remains. Sitting at a keyboard, indoors, at a desk, is tiresome and boring (though it is getting easier). I’d would rather be outside with paper and ink any day!

If you don’t have any interest in writing or painting, then all this blither means very little. However, the history of how we got here is fascinating and easily forgotten. Thankfully, I don’t have to go out and collect my oak galls or raise some geese – I like having such conveniences as stores – but I will say that there is much to be gained in re-creation of past arts. Writing with a goose quill pen is a unique experience; cutting the pen is too. Dyeing wool, writing with a dip pen, using a lap desk over 170 years old places history into the present existence. Using colors and inks from long ago, with centuries of tradition and craft, provide an insight to life when it was slower (and more difficult and deadly in many ways). Today, too many of us live in haste, moving from one task to another, and forget that leisure and creativity are as important as productivity and speed. Paper and ink and color are one way to leave it all behind.
Little Environmental Things
With the leak in the Gulf of Mexico becoming increasingly a problem, it draws attention to the environment in a number of ways. Man’s footprint becomes more destructive as world population continues to grow. Global warming continues because of the fact there are too many people and countries who cannot work together to help the entire planet. Politically and realistically, this is not possible.
Plants and animals are threatened by pollution, by being unable to survive in their current environment because the mean temperature is a few degrees warmer – C or F – than it has been traditionally. People are also threatened by the work of other people and corporations in areas before them.
Man-made Disasters

Nearby, we have the Santa Susana Field Laboratory. Nuclear waste and toxic chemicals have leached into the soil and water table. This affects people living nearby – what is the house built on? What is in my drinking water? People who worked there are facing the long-term affects of having worked there – some have died, some are ill, some have not a problem. Now they might get some help.
In the city of Carson, CA, in the Carousel housing track, developed in the late 1960s, another Love Canal is brewing.

You can still find tar on the local beaches from the 1969 Santa Barbara oil spill.
Worldwide we can remember the Bhopal gas leak, the London smog disaster of 1952, and too many others to count. Googling “man made natural disasters” gives a lot of stuff.
Endangered Animals
Lizards are disappearing in areas they normally survive. So are frogs, bats, and honey bees. Africa is home to many species which are endangered by the spread of population, commercialized and illegal big game hunting, and the search for ivory or strange aphrodisiacs. Penguins and polar bears are also suffering. And so are indigenous peoples in face of political and commercial expansion.
Foreign Plants

Kudzu has been found to be taking over parts of the the U.S. This is a plant imported from Asia to help cut down on erosion in the American South. This plant is highly invasive. Now, a study shows that it helps increase pollution for all sorts of reasons. More details can be found here.
Invasive Species
Besides invasive plants, invasive animal species threaten much of our environment. The Everglades faces a growing predatory snake population. Boo, hiss.
You’ve Seen a Redwood . . .
Unfortunately, politicians and others in power often have little knowledge or appreciation of the natural world. Ronald Reagan, former California governor and U.S. president was a classical example. Today, we have the infamous Ms. Palin, who is all too willing to shoot animals from a helicopter and continue oil drilling.

Think Locally, Act Globally
Peter Vanderwyden. People in China. Rainforest Alliance. Europe. However, in third world countries, modernization often leads to pollution and destruction of pristine landscapes. “Thinking Green” may involve far more money to introduce than is in a nation’s budget. Nonetheless, creative and inexpensive means for providing improvements can and do exist.
Change is neither easy nor comfortable. Sometimes it is forced on us. Sometimes we choose it.
Yarns of the City – 27 August 2009
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For the fiberholic on a road trip through the central coast area of California – north of Santa Barbara – the Village Spinning and Weaving shop is a must-do. This summer, John and Marsha, the proprietors, celebrated their eighteenth anniversary in the same place by being able to more than double the size of their store by expanding into the retail area next door. When Josh and I visited them in June, they had just broken through the connecting wall.
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Some of our closest friends, Stephanie and Jay, were living in Solvang at the time Village Spinning opened. Stephanie is a full-time weaver, and I primarily a spinner/knitter – of course this was heaven for us! And Solvang is always good for a lazy day or a short trip if you live nearby, or need cookies or chocolate or cutlery, or you are on your way to the wine country. (I recommend the large cookie boxes at Mortensen’s Bakery, Ingeborg’s Chocolate, and Nordic Knives, if you need to satisfy some other vices.)
Anyhow!
As you walk in the main door – which will probably still be the only entrance to this fiber wonderland – you enter the current store, filled with yarn, fiber, weaving supplies, looms, spinning wheels, roving, bats, books, dyeing supplies, knitting needles, and on and on. You want it, they probably have it. (Notice, I did not say “need“!)
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Getting extra space at Village Spinning & Weaving will benefit everyone. The new space has a lot of lighting, both natural and installed. All this will allow better display of looms and spinning wheels, which is really important if you want to check out how an item looks, or feel how a wheel spins. There will be room for knitters. Some lucky group will get to sit around the fireplace, but the sunny windows are not a bad place to be either. As you can see below, there is a lot to look forward to – at least there was in June. I hope they are all moved in and ready to go!
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The service you get at Village Spinning & Weaving is wonderful. And they have a lot of stuff – dangerous! This is what they say on their “About Us” page:
Solvang’s Village Spinning & Weaving Shop was started in 1992 by John Novak and Marsha Mullaney-Novak. This shop grew out of our desire to simplify our lives and provide the best possible service and products — something we find lacking in much of today’s world.
Whether you are looking for a new loom or some cochineal for dyeing or maybe a new tatting book, check here or give us a call.
We carry much more than we can possibly list here, so… we have several different print catalogs – you can download a pdf file from this website for many of them. As things change, sometimes too quickly, prices in our printed catalog may not always be completely up to date.
John and Marsha are very knowledgeable about the products they sell. Inventory includes so many books you think you have died and gone to heaven, wheels to test drive, looms both large and small. John takes a lot with him when he does shows such as the Black Sheep Festival, Stitches, or Convergence. Many of you may have met them at one of these events.
For those unfamiliar with Solvang, it is a small town off the 154 and 101, about 30 miles north of Santa Barbara. The Sant Ynez valley is a beautiful place, and as you come over San Marcos Pass into the valley on the 154, the view is breathtaking. This valley, toward Santa Ynez, is where the movie “Sideways” was filmed.
I’m looking forward to my next trip to Village Spinning & Weaving, to see how the expansion is going, to finger fibers, play with wheels, peruse books I have never seen. My pocketbook may suffer a bit, but it sure is worth it!
See you there, and tell ’em I sent ya!