Tag: plein air

Afternoon Sketches

Late afternoon I met up with a friend at a nexus for a series of hiking trails to do some afternoon plein aire sketching. She brought a paper and pencil, I brought ink and watercolor. We walked about 30 yards down a flat trail and settled in what could appear to be an isolated area as the trail curved into an oak woodland at the lower edge of a hill. The later afternoon sun gave lovely shadows, areas of light and dark, and the oak trees were especially beautiful in that light.

This is my “warm up” sketch. I always like to play around with what I am working with to see how ink and watercolor and paper all interact. Most importantly is how the watercolor and paper work together. This sketchbook is designed for watercolor sketching, and it worked well. Here I started out with the ink and then worked with the paint. After all was dry, I went back in for some touch-up with the pen.

For this one, I painted the tree shapes with light washes. Then came the leaves. After that, some ink, back to paint, then finally ink.

The second painting is my “serious” one whereas the “play” painting was testing my tools. We spent two hours sitting in the woods, yakking and drawing, taking a few photos, chatting with passersby on bike and foot. At 5 pm the sun was going down, so pack it in, hike that long distance out, and say our good-byes.

Ink, watercolor, 5×7 on watercolor paper.

At Ventura Harbor

A local group, Plein Air Ventura County, is having weekly meet-ups at the Buenaventura Art Association’s gallery during the month of August. Located in the local marina on the second floor, with galleries all around, there are views of the boats and the ocean and buildings. It’s a rather nice place to be and I have spent a lot of time there when I lived a few miles away. A friend and I packed up our supplies and trekked across the county. Traffic was a bit awful as everyone was leaving Los Angeles, but we drove on and arrived to a beautiful day at the beach.

This was my first sketch and it took the longest. Normally with ink pen I like to just get to work without an underlying pencil drawing. Here, I decided to just go ahead and do a pencil sketch as I am no expert at boats or proportions. I am glad I did as I spent a lot of time erasing before I was happy with the results to begin the inking. I spent about 90 minutes on this.

Next came this little weird succulent. It was on the gallery overlooking the marina, so I sat down and sketched it directly in ink. Plants don’t open you up to complaints about proportion (too often, anyway!), so off I went. I also wanted to see how the paper in this sketchbook would hold up to watercolor and I didn’t want to risk my boat to a poor water-paper combination. Luckily, it worked out quite well. I spent about 45 minutes on this drawing because I had to think about my colors and how thin I wanted the washes to be. In truth, this succulent was basically a silvery grey with a touch of subtle rust and green, but I needed to brighten it up.

This was my final drawing, done in about 15 minutes. It was getting into the third hour and I was getting pretty tired. So was my friend. Here, I focused on the cypress trees and a single palm, the dunes beyond the road, and the Pacific beyond the dunes. The little sail boat really was there – it was the boat or flying pelicans, and the boat was the easier choice!

It was a cool, breezy, bright day at the beach. Salty wind. I got sunburned, something I didn’t think about as I don’t hang out in the sun like I used to! It was worth it, though, as I had a good time and came home pleased with my forays, especially into the boat drawing. The succulent was easy and fun – nothing I took too seriously. On the other hand, the cypress trees always throw me a bit because of the way the foliage seems to lie flat across a tree with a few branches – simply put, a complicated flat texture is the only way to describe it.

In between each sketch, a bit of wandering around and socializing before getting back into the sketching.

Ink, watercolor, Pentalic 6×12 sketchbook.

More Podocarpus Trees

I am trying out different ways to paint plein air in my back yard, which is nothing of any beauty being just dirt and podocarpus trees (also called plum pines). It is going to cost an arm and a leg and a first born child to get it done the way I want, but such is life. In the meantime, use it to my advantage – like lots of container plants!

Anyway, I set up a plein air easel on a tripod I just bought for $20.00 and it did a good job. I clipped my large sketch book to the easel and put a lightweight travel watercolor palette on it. I sat on my travel stool. These details are for a future post.

I painted one podocarpus tree with outlines and more traditional ways of applying color in layers; that is the one on the left. The one on the right is direct watercolor. In the middle is a stump in direct watercolor and a few sketchy little camphor tree shoots from the root system still in the dirt.

I painted both trees to practice both ways of painting as well as to check out the plein air set up. With the tripod low to the ground, I could put water and such on the ground next to me. The plein air palette and sketchbook were propped up on the easel attached to the camera tripod. I sat on my stool. Everything was fairly comfortable, within reach and easy to get. The height was good. I think I might not want to sit down for a long time while painting, but it is something I want to experience.

So, though the painting subject is podocarpus trees, the real focus for painting was the plein air set up. It worked pretty good. I have another easel to use, and I think I am beginning to get a nice set up for my future career as an old lady painter in the countryside or patio, depending . . . .

Potted Flowers without the Pots

I wasn’t interested in the flower pots these potted flowers are in, so I left them out. Now they are unpotted for your perusal.

Above are what are supposed to be little daisies and some lobelia. More negative painting practice, which didn’t really work out, but I did try it, both around the daisies and then painting green onto green in the greenery.

Venery in the greenery anyone?

I am much happier with this painting than the first one. Some negative painting, such as in the leaves and in the lavenders of the sea lavenders. With both, but particularly the sea lavender, I also tried to merge colors in the wet washes. There was a cauliflower which occurred in the far right sea lavender, but too much working on it made it a bit more messy. My mind was on painting colors, not really on patience of waiting for things to dry a bit – hence the cauliflower.

I worked on these this morning, painting on the patio in a bit of a gloomy day, but it was certainly pleasant enough. Being outdoors while painting certainly is beginning to have its appeal; now I think I might take a handcrank sewing machine outside to enjoy more of this summery now sunny weather whilst I sew!

Sketches Amongst the Potted

Today I finally had time to sit down and enjoy this absolutely gorgeous afternoon! The sun broke through the coastal fog and suddenly the world was aglow with light and shadow, not gloom and grey. That is the standard weather along the California coast, May Grey and June Gloom. It is dull and boring and monotonously monochrome.

I have a lot of potted flowers on a side patio – my yard is worthless for any beauty at this point. First up, the bigger sunflower in ink and paint.

And then the smaller of the two.

Sunflowers are far harder to paint than I think – don’t know why! From there, I decided to look at the tulip tree peeping over the fence a few blocks away. Here I tried to focus on masses of light and dark. It was a bit hard, but the idea was there. I am using my Schmincke pan paints, and they need to be worked a bit to get dense colors, which can be frustrating!

Lastly, my beloved lemon verbena bush. Every year I cut it back, every year it comes back. The leaves were half in the sun, half in the shade. I don’t have any of the delicate white flowers it produces, but the leaves always delight, in shape and scent.

It was fun to sit in the sun a bit. I don’t usually do this, so letting things dry between colors and pictures took a bit of patience. Plein air is not something I ordinarily do, but why not practice it along with patience?

More to come!